The telephone, the microphone & the phonograph — John Shaqi
The telephone, the microphone & the phonographDu Moncel, Th., comte
History
The telephone, the microphone & the phonograph
Du Moncel, Th., comte
Microphone; Phonograph; Telephone
‘It is impossible not to admire the daring invention by which we have
been able to realise with these simple expedients the complex problem
of reproducing by electricity the tones and delicate articulations of
voice and speech; and it was necessary, in order to obtain this result,
to find out the means of varying the intensity of the current in the
same proportion as the inflections of the sound emitted by the voice.’
If we are to believe Mr. Graham Bell, the invention of the telephone
was not due to a spontaneous and fortunate conception: it was the
result of his long and patient studies in acoustic science, and of
the labours of the physicists who preceded him.[2] His father, Mr.
Alexander Melville Bell, of Edinburgh, had studied this science
deeply, and had even succeeded in representing with great ingenuity
the adaptation of the vocal organs for the emission of sound. It was
natural that he should instil a taste for his favourite studies into
his son’s mind, and they made together numerous researches in order to
discover the relations which exist between the different elements of
speech in different languages, and the musical relations of vowels. It
is true that several of these researches had been made by M. Helmholtz,
and under more favourable conditions; but these studies were of great
use to Mr. Bell when he was afterwards occupied with the telephone, and
Helmholtz’s experiments, which he repeated with one of his friends,
Mr. Hellis of London, concerning the artificial reproduction of vowels
by means of electric tuning-forks, launched him into the study of the
application of electricity to acoustic instruments. He first invented
a system of an electric harmonica with a key-board, in which the
different sounds of the scale were reproduced by electric diapasons of
different forms, adapted to different notes, and which, when set in
motion by the successive lowering of the keys, could reproduce sounds
corresponding to the notes touched, just as in an ordinary piano.
He next, as he tells us, turned his attention to telegraphy, and
thought of making the Morse telegraphs audible by causing the
electro-magnetic organ to react on sounding contacts. It is true
that this result had already been obtained in the sounders used
in telegraphy, but he thought that by applying this system to his
electric harmonica, and by employing such an intensifying instrument as
Helmholtz’s resonator at the receiving station, it would be possible to
obtain through a single wire simultaneous transmissions which should be
due to the action of the voice. We shall see presently that this idea
was realised almost at the same time by several inventors, among others
by M. Paul Lacour, of Copenhagen, Mr. Elisha Gray, of Chicago, and
Messrs. Edison and Varley.
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