The telephone, the microphone & the phonographDu Moncel, Th., comte
History
The telephone, the microphone & the phonograph
Du Moncel, Th., comte
Microphone; Phonograph; Telephone
To understand the principle of this telephone, we must give some
account of Mr. Edison’s electro-motograph, discovered in 1872. This
instrument is based upon the principle that if a sheet of paper,
prepared with a solution of hydrate of potash, is fastened on a
metallic plate which is united to the positive pole of a battery, and
if a point of lead or platinum connected with the negative pole is
moved about the paper, the friction which this point encounters ceases
after the passage of the current, and it is then able to slide as if
upon a mirror until the current is interrupted. Now, as this reaction
may be effected instantaneously under the influence of extremely weak
currents, the mechanical effects produced by these alternations of
arrest and motion may, by a suitable arrangement of the instrument,
determine vibrations in correspondence with the interruptions of
current produced by the transmitter.
In this system the telephonic receiver consists of a resonator and a
drum mounted on an axis and turned by a winch. A paper band, wound
upon a reel, passes over the drum, of which the surface is rough, and
a point tipped with platinum, and fitted to the end of a spring which
is fixed in the centre of the resonator, presses strongly on the paper.
The current from the battery, first directed on the spring, passes
by the platinum point through the chemical paper, and returns by the
drum to the battery. On turning the winch, the paper moves forward,
and the normal friction which is produced between the paper and the
platinum point pushes the point forward, while producing by means
of the spring a tension on one side of the resonator; but since the
friction ceases at each passage of the current through the paper, the
spring is no longer drawn out, and the resonator returns to its normal
position. Since this double effect is produced by each vibration made
in the sender, a series of vibrations takes place in the resonator,
repeating those of the sender, and consequently the musical sounds
which affected the sender are reproduced to a certain extent. According
to the American journals, the results produced by this instrument
are astonishing: the weakest currents, which would have no effect
on an electro-magnet, become perfectly efficacious in this way. The
instrument can even reproduce with great intensity the highest notes of
the human voice, notes which can hardly be distinguished by the use of
electro-magnets.
Public-domain text, read in full here on John Shaqi.
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