_X_ in Plate I represents part of the Stadium, which is about six
hundred feet long. Here are remains of at least fifteen rows of marble
seats. Probably foot races took place here as well as other forms of
athletic exercise. All the maps of the Hieron represent the eastern end
of the Stadium as semicircular, but so far as one can judge, the latest
excavations indicate that it was square, and therefore I have so
represented it.
[Illustration: PLATE XVIII—East end of Stadium]
Assuming that the fifteen rows of seats extended from end to end on each
side, and allowing a foot and a half for each person, the Stadium would
seat twelve thousand spectators on its two sides, without computing the
seats at the ends.
Plate XVIII represents the excavation at the end adjacent to the Hieron.
_Y_ in Plate I (shown also in Plate XVIII) is either the starting place
or the goal. _Z_ is a subterranean passage probably communicating with
the precinct.
An inscription (found in 1896) mentioned by Mr. Frazer, shows that a
hippodrome also existed at the Hieron.
On Mount Kynortion, some distance south of the great theatre, stood the
temple of the Maleatean Apollo. The remains are so fragmentary that it
is difficult to devise a conjectural restoration.
II. The Asklepieion at Athens
Before saying anything about the ritual and the treatment of the sick at
the Hieron, it will be well to turn to the Asklepieion at Athens, and
examine briefly the structural arrangements there. Situated on the south
side of the Acropolis, at an elevation of perhaps eighty feet above the
plain, adjoining on the east the theatre of Dionysus, the locality was
probably as healthy as any the immediate neighbourhood of Athens could
supply. The heat no doubt was great in summer, but we may conclude that
a grove of large trees afforded grateful shade to the sick.
[Illustration: PLATE XIX—Portico of Eumenes and Acropolis]
[Illustration: PLATE XX—Attempt at an Outline Restoration of the
Asklepieion at Athens (R.C.)]
[Illustration: PLATE XXI—Remains of Asklepieion from the West]
Public-domain text, read in full here on John Shaqi.
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