The Templeton caseWhitechurch, Victor L. (Victor Lorenzo)
General
The Templeton case
Whitechurch, Victor L. (Victor Lorenzo)
Detective and mystery stories; Murder -- Investigation -- Fiction; Police -- England -- Fiction
He sat by the window for some little time. Then, first putting on a
pair of rubber-soled tennis shoes, and taking with him the stick he
had brought from Frattenbury, first unwrapping it from its brown paper
covering, he slipped quietly downstairs and went out.
Very carefully picking his way, he went down to the shore. It was a
perfectly quiet night, the silence only broken by the ripple of the
tide flowing up the estuary. He looked around him. Only one light was
burning—in a window of Mr. Proctor’s house. The latter had evidently
not yet gone to bed.
Colson unhitched the painter from the post, slowly, without making a
sound, launched the canoe, and paddled out in silence. Arrived beside
the dinghy, he placed the walking-stick well under the seat, where he
had found the original, and returned just as quietly to the shore.
Before he went back to the inn he took careful stock of another canoe
that was close to the shore, and gave a nod of satisfaction. Then he
returned to his room and waited and watched.
As he had said, it was a forlorn hope and he hardly expected that
anything would come of it. It was more than probable that the murderer
was miles away by this time. And yet, if that stick _had_ belonged to
him, so far as Colson knew at present, it was the only clue to the
mystery. And whoever had left it in the dinghy must know that as well.
The point that Colson was building upon was the fact that the stick
had been stowed away under the seat of the dinghy and was not found on
board the yacht itself. If it belonged to the man who had committed
the crime, there was just the chance that he might calculate that
little notice had been taken of the dinghy. And it would be worth
something to him to get it back.
It was some time after midnight that Colson gave a start and stood
tense at the window. A slight sound had disturbed him. Straining his
eyes through the darkness, he could just discern a form apparently
bending over one of the canoes on the shore. Then he saw the form
straighten itself and walk a little distance away. He lost sight of
it, but in a few moments it returned. Again it bent down.
“He’s unfastening the painter,” murmured the detective. Then he could
see a man get into the canoe, and the next moment he could hear the
slight splash of a paddle. The unknown was making for the yacht.
Colson felt the little automatic pistol he carried in his pocket—he
was taking no risks. Quickly he made his way downstairs, opened the
door and went out, crouching low. It was his intention to get down to
the shore, lie hidden behind one of the boats, and catch the unknown
unawares as he landed. He looked across the water. The canoe was
alongside the dinghy now. He had to act quickly to get to his
hiding-place.
Public-domain text, read in full here on John Shaqi.
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