The gate is, I believe, never opened--I don't know that its hinges would work now. If you have private business with the firm on a wet day, you must jump out of your cab in the street, and run up through the side door, through the rain, over the puddled flags, and by the famous log of mahogany which the Messrs. Goldshed and Levi and their predecessors have sold, in bill transactions, nearly six thousand distinct times, without ever losing sight of it. In the street this day there stood a cab, at that door. Mr. Jos. Larkin, the Gylingden attorney, was in consultation with the firm. They were sitting in "the office," the front room which you enter at your right from the hall. A high, old-fashioned chimney-piece cuts off the far angle of the room, obliquely. It is wainscoted in wood, in tiny square panels, except over the fireplace, where one great panel runs across, and up to the ceiling, with somebody's coat of arms carved in relief upon it. This woodwork has been painted white, long ago, but the tint has degenerated to a cream or buff colour, and a good washing would do it no harm. Mr. Levi and others have pencilled little sums in addition, subtraction, and multiplication on it. You can see the original oak where the hat-rack was removed, near the window, as also in those places where gentlemen have cut their names or initials. The window is covered with dust and dirt, beaten by the rain into all sorts of patterns. A chastened light enters through this screen, and you can't see from without who is in the room. People wonder why Messrs. Goldshed and Levi, with so well-appointed an office in Scroop Street, will keep this private office in so beggarly a state; without a carpet, only a strip of nearly-obliterated oil-cloth on its dirty floor. Along the centre of the room extends a great old, battered, oblong mahogany quadrangle, full of drawers, with dingy brass handles, and having midway a sort of archway, like a bridge under a railway embankment, covered with oil-cloth of an undistinguishable pattern, blotched with old stains of red ink and black, and dribblings of sealing-wax, curling up here and there dustily, where office-knives, in fiddling fingers, have scarred its skin. On top of this are two clumsy desks. Behind one sits the junior partner, on a high wooden stool, and behind the other, the senior, on a battered office chair, with one of its haircloth angles protruding, like the corner of a cocked hat, in front, dividing the short, thick legs of Mr. Goldshed, whose heels were planted on the rungs, bending his clumsy knees, and reminding one of the attitude in which an indifferent rider tries to keep his seat on a restive horse. Goldshed is the senior in every sense. He is bald, he is fat, he is short. He has gems on his stumpy fingers, and golden chains, in loops and curves, cross the old black velvet waistcoat, which is always wrinkled upward by the habit he has of thrusting his broad, short hands into his trousers pockets.