The Tent on the Beach, and other poems: Part 4 from Volume IV of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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The Tent on the Beach, and other poems: Part 4 from Volume IV of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
At times their fishing-lines they plied,
With an old Triton at the oar,
Salt as the sea-wind, tough and dried
As a lean cusk from Labrador.
Strange tales he told of wreck and storm,--
Had seen the sea-snake's awful form,
And heard the ghosts on Haley's Isle complain,
Speak him off shore, and beg a passage to old Spain!
And there, on breezy morns, they saw
The fishing-schooners outward run,
Their low-bent sails in tack and flaw
Turned white or dark to shade and sun.
Sometimes, in calms of closing day,
They watched the spectral mirage play,
Saw low, far islands looming tall and nigh,
And ships, with upturned keels, sail like a sea the sky.
Sometimes a cloud, with thunder black,
Stooped low upon the darkening main,
Piercing the waves along its track
With the slant javelins of rain.
And when west-wind and sunshine warm
Chased out to sea its wrecks of storm,
They saw the prismy hues in thin spray showers
Where the green buds of waves burst into white froth flowers.
And when along the line of shore
The mists crept upward chill and damp,
Stretched, careless, on their sandy floor
Beneath the flaring lantern lamp,
They talked of all things old and new,
Read, slept, and dreamed as idlers do;
And in the unquestioned freedom of the tent,
Body and o'er-taxed mind to healthful ease unbent.
Once, when the sunset splendors died,
And, trampling up the sloping sand,
In lines outreaching far and wide,
The white-waned billows swept to land,
Dim seen across the gathering shade,
A vast and ghostly cavalcade,
They sat around their lighted kerosene,
Hearing the deep bass roar their every pause between.
Then, urged thereto, the Editor
Within his full portfolio dipped,
Feigning excuse while seaching for
(With secret pride) his manuscript.
His pale face flushed from eye to beard,
With nervous cough his throat he cleared,
And, in a voice so tremulous it betrayed
The anxious fondness of an author's heart, he read:
. . . . .
THE WRECK OF RIVERMOUTH
The Goody Cole who figures in this poem and The Changeling as
Eunice Cole, who for a quarter of a century or more was feared,
persecuted, and hated as the witch of Hampton. She lived alone in a
hovel a little distant from the spot where the Hampton Academy now
stands, and there she died, unattended. When her death was
discovered, she was hastily covered up in the earth near by, and a
stake driven through her body, to exorcise the evil spirit. Rev.
Stephen Bachiler or Batchelder was one of the ablest of the early
New England preachers. His marriage late in life to a woman
regarded by his church as disreputable induced him to return to
England, where he enjoyed the esteem and favor of Oliver Cromwell
during the Protectorate.
Public-domain text, read in full here on John Shaqi.
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