The Tent on the Beach, and other poems: Part 4 from Volume IV of The Works of John Greenleaf Whittier — John Shaqi
The Tent on the Beach, and other poems: Part 4 from Volume IV of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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The Tent on the Beach, and other poems: Part 4 from Volume IV of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
"But faith beyond our sight may go."
He said: "The gracious Fatherhood
Can only know above, below,
Eternal purposes of good.
From our free heritage of will,
The bitter springs of pain and ill
Flow only in all worlds. The perfect day
Of God is shadowless, and love is love alway."
"I know," she said, "the letter kills;
That on our arid fields of strife
And heat of clashing texts distils
The clew of spirit and of life.
But, searching still the written Word,
I fain would find, Thus saith the Lord,
A voucher for the hope I also feel
That sin can give no wound beyond love's power to heal."
"Pray," said the Man of Books, "give o'er
A theme too vast for time and place.
Go on, Sir Poet, ride once more
Your hobby at his old free pace.
But let him keep, with step discreet,
The solid earth beneath his feet.
In the great mystery which around us lies,
The wisest is a fool, the fool Heaven-helped is wise."
The Traveller said: "If songs have creeds,
Their choice of them let singers make;
But Art no other sanction needs
Than beauty for its own fair sake.
It grinds not in the mill of use,
Nor asks for leave, nor begs excuse;
It makes the flexile laws it deigns to own,
And gives its atmosphere its color and its tone.
"Confess, old friend, your austere school
Has left your fancy little chance;
You square to reason's rigid rule
The flowing outlines of romance.
With conscience keen from exercise,
And chronic fear of compromise,
You check the free play of your rhymes, to clap
A moral underneath, and spring it like a trap."
The sweet voice answered: "Better so
Than bolder flights that know no check;
Better to use the bit, than throw
The reins all loose on fancy's neck.
The liberal range of Art should be
The breadth of Christian liberty,
Restrained alone by challenge and alarm
Where its charmed footsteps tread the border land of harm.
"Beyond the poet's sweet dream lives
The eternal epic of the man.
He wisest is who only gives,
True to himself, the best he can;
Who, drifting in the winds of praise,
The inward monitor obeys;
And, with the boldness that confesses fear,
Takes in the crowded sail, and lets his conscience steer.
"Thanks for the fitting word he speaks,
Nor less for doubtful word unspoken;
For the false model that he breaks,
As for the moulded grace unbroken;
For what is missed and what remains,
For losses which are truest gains,
For reverence conscious of the Eternal eye,
And truth too fair to need the garnish of a lie."
Laughing, the Critic bowed. "I yield
The point without another word;
Who ever yet a case appealed
Where beauty's judgment had been heard?
And you, my good friend, owe to me
Your warmest thanks for such a plea,
As true withal as sweet. For my offence
Of cavil, let her words be ample recompense."
Public-domain text, read in full here on John Shaqi.
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