The Tenth Man: A Tragic Comedy in Three ActsMaugham, W. Somerset (William Somerset)
General
The Tenth Man: A Tragic Comedy in Three Acts
Maugham, W. Somerset (William Somerset)
Capitalists and financiers -- Drama; English drama -- 20th century; Married people -- Drama
SCENE: _A drawing-room at_ LORD FRANCIS ETCHINGHAM’S _house in
Norfolk Street, Park Lane. An Adam room, with bright chintzes on
the furniture, photographs on the chimney-piece and the piano, and
a great many flowers. There is an archway at the back, leading into
another drawing-room, and it is through this that visitors are
introduced by the butler. On the left is a large bow window, and on
the right a door leading into the library._
LORD _and_ LADY FRANCIS.
LORD FRANCIS ETCHINGHAM _is a man of fifty, of the middle height,
rather bald, with an amiable, weak face. He is a good-natured
person, anxious to do his best in all things and to all people so
long as he is not bored. He wants everything to go smoothly. He has
a comfortable idea of his own capacity. Reduced circumstances have
drawn him into affairs, and he regards himself as a fine man of
business._ LADY FRANCIS _is a handsome and well-preserved woman of
the same age as her husband, with dyed red hair; she has a
massive, almost an imposing, presence, and she is admirably
gowned. She treats her husband with good-humoured scorn, aware of
his foibles, but amused rather than annoyed by them. When the
curtain rises_ FRANCIS ETCHINGHAM _is a prey to the liveliest
vexation. He is walking nervously across the room, while his wife,
with a thin smile, stands quietly watching him. With a gesture of
irritation he flings himself into a chair._
ETCHINGHAM.
Why the dickens didn’t you tell me last night, Angela?
LADY FRANCIS.
[_Smiling._] I had no wish to disturb my night’s rest.
ETCHINGHAM.
Upon my soul, I don’t know what you mean. It’s incomprehensible to me
that you should have slept like a top. I couldn’t have closed my eyes
the whole night.
LADY FRANCIS.
I know. And you would have taken excellent care that I shouldn’t close
mine either.
ETCHINGHAM.
I should have thought I had enough to do without being pestered with a
foolish woman’s matrimonial difficulties.
LADY FRANCIS.
[_With a laugh._] You really have a very detached way of looking at
things, Frank. No one would imagine, to hear you speak, that the
foolish woman in question was your daughter.
ETCHINGHAM.
Really, Angela, I must beg you not to make this a subject of flippancy.
LADY FRANCIS.
[_Good-humouredly._] Well, what do you propose to do?
ETCHINGHAM.
[_Flying out of his chair._] Do? What do you expect me to do? You tell
me that Kate came home at twelve o’clock last night without a stitch of
clothing....
LADY FRANCIS.
My dear, if I told you that I was most unwarrantably distorting the
truth.
ETCHINGHAM.
[_Irritably correcting himself._] In a ball dress, with an opera cloak
on--without her luggage, without even a dressing-case--and informs you
that she’s left her husband.... It’s absurd.
LADY FRANCIS.
Quite absurd. And so unnecessarily dramatic.
ETCHINGHAM.
And when’s she going home?
LADY FRANCIS.
Public-domain text, read in full here on John Shaqi.
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