The Gulch was naked but unashamed, and lay in a drowsy stupor. An
easterly breeze, bringing coolness elsewhere, here gathered radiated
heat from gaunt walls on which the sun had poured all day, and
desiccating gusts beat on Power's face like superheated air gushing from
a furnace. Not that the place was an inferno--far from it. On a June day
just a year ago two young people had ridden up the rough trail on their
way to the Dolores ranch, and the girl had called the man's attention to
the exquisite coloring of the rocks and the profusion of flowers which
decked every niche and crevice. It may be that they looked then through
eyes which would have tinted with rose the dreariest of scenes; but even
today, in another couple of hours, when the sun was sinking over the
mountain range to the west, the Gulch would assuredly don a marvelous
livery of orange, and red, and violet. Each stray clump of stunted
herbage which had survived the drought would make a brave show, and
rock-mosses which should be moist and green would not spoil the picture
because they were withered and brown or black.
But Power, despite a full share of the artist's temperament, was blind
to the fierce blending of color which the cliffs offered in the blaze of
sunlight. His eyes were peering into his own soul, and he saw naught
there but dun despair and icy self-condemnation. For he blamed himself
for wrecking two lives. If Nancy Willard could possibly find happiness
as Hugh Marten's wife, he might indeed have cursed the folly of
hesitation that lost her; but there would be the salving consciousness
that she, at least, would drink of the nectar which wealth can buy in
such Homeric drafts. But he was denied the bitter-sweet recompense of
altruism. He knew Nancy, and he knew Marten, and he was sure that the
fairest wild flower which the Dolores ranch had ever seen would wilt and
pine in the exotic atmosphere into which her millionaire husband would
plunge her.
Public-domain text, read in full here on John Shaqi.
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