The Theatrocrat: A Tragic Play of Church and Stage — John Shaqi
The Theatrocrat: A Tragic Play of Church and StageDavidson, John
General
The Theatrocrat: A Tragic Play of Church and Stage
Davidson, John
Drama
I am not an atheist. The words atheist and atheism, infidel and
infidelity, seem to me misnomers, mere childish nicknames,
unpoetical, inapplicable, feebly malignant; you cannot disbelieve in
what is not; so violent a reaction as disbelief intimates the
existence of that which is antagonized: one might as well say, "There
is no Hamlet; there is no Don Quixote," as affirm the nonentity of
God. Indeed and indeed there has been nothing but God for many a
century. For the active world, the money-making, breeding,
pleasure-seeking, power-loving world, the rulers, artists, poets,
merchants, soldiers, the great world as distinguished from the
studious faction of scientists, theologians, philosophers, and men of
letters--an insignificant and negligible minority in this
particular: for this great world, God sums imagination; not an idea;
no, the Ancient of Days, the Almighty; called a spirit, but a most
Material, most poetical God, who created the world out of nothing,
with the sun to light it by day and the moon and stars by night; who
made man in His own image; who sent His son to atone for His
creatures' backslidings; and who provided Heaven for the repentant
sinner, and Hell for the unregenerate; for God and Sin and Heaven and
Hell that _are_ not
"Are yet the very texture of the world,
Kings, magistracies, warriors, wisdom, love,
Being knit in Heaven and Hell, in God and Sin,
Like blood, nerve, sinew, bone in living flesh."
But a minority are no longer knit up in this divine texture. When
science found out that the world and man had not been created at
all--could not possibly have been created or made in any sense of
these terms; that instead of the sun being specially prepared as a
lantern to light the earth, the earth is really an offscouring of the
sun; and when it searched the Universe and sampled it with its
telescope, discovering although it plunged vision through thousands
of millions of miles that there was no lodge anywhere for Heaven, no
pit to be the continent of Hell, but only illimitable tracts of
incandescent orbs, each the centre of a system to which our solar
nook of space is as a little room by candle-light compared with that
very sunlit space itself, then science knew, as I know, that the
theological system of the Universe is an error of man's ignorance: an
error so wonderful and so significant that I still attend upon the
adequate expression of its true intention. In the Matter of God and
Sin and Heaven and Hell, men of letters are apt to be lukewarm--not
all, but the majority. I exclude poets from the class of men of
letters. Men of letters are humane, moral, civilized, cultured,
sceptical; whereas poets are inhuman, immoral, barbaric, imaginative,
and trustful. With most literary critics, publicists, journalists,
dealers in the humanities, and professional people generally, God and
Sin and Heaven and Hell are not debateable subjects. Why should
anyone nowadays concern himself about these things? If they are not
Public-domain text, read in full here on John Shaqi.
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