Nutrition cannot be carried on without water, though likely water itself is not the matter of nourishment, but only the vehicle. Water is as necessary to fermentation as heat or air. The farmer, who stacks his hay or corn before it is sufficiently dried, soon experiences the terrible effects of too much moisture, or water, residing therein: all vegetables therefore intended to be long kept, ought to be well dried. The brewer should carefully avoid purchasing hops that are slack bagged, or kept in a moist place, or malt that has been sprinkled with water soon after it was taken from the kiln. By means of the moisture, an internal agitation is raised in the corn, which agitation, though soon stopped, for want of a sufficient quantity of air, yet, the heat thereby generated remaining, every adventitious seed, fallen from the air, and resting on the corn, begins to grow, and forms a moss, which dies, and leaves a putrid musty taste behind, always prevailing, more or less, in beer made from such grain. That water is by no means an universal solvent, as some people have believed, has been already observed. It certainly does not act as such on metals, gems, stones, and many other substances: it is not in itself capable of dissolving oils, but is miscible with highly rectified spirits of wine, or alchohol, which is the purest vegetable oil in nature. All saponaceous bodies, whether artificial or natural, fixed or volatile, readily melt therein; and as many parts of the malt are dissoluble in it, they must either be, or become by heat, of the nature of soap, that is, equally miscible with oils and water. When a saponaceous substance is dissolved in water, it lathers, froths, and bears a head; hence, in extracts of malt, we find these signs in the underback. Weak and slack liquors, which contain the salts of the malt without a sufficient quantity of the oils, yield no froth. Somewhat like this happens, when the water for the extract is over-heated, for then as more oils are extracted than are sufficient to balance the salts, the extract comes down as before, with little or no froth or head. This sameness of appearance, from two causes directly opposite to each other, has many times misled the artist, and shews the necessity there is to employ means less liable to error.