The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.Smith, Adam
Philosophy
The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.
Smith, Adam
Ethics -- Early works to 1800; Language and languages -- Early works to 1800
Yet why should he make
an apology more than any other person? Why should he, since he was
equally innocent with any other by-stander, be thus singled out from
among all mankind, to make up for the bad fortune of another? This task
would surely never be imposed upon him, did not even the impartial
spectator feel some indulgence for what may be regarded as the unjust
resentment of that other.
Footnote 5:
Culpa levissima.
CHAP. III.
_Of the final cause of this irregularity of sentiments._
Such is the effect of the good or bad consequence of actions upon the
sentiments both of the person who performs them, and of others; and
thus, Fortune, which governs the world, has some influence where we
should be least willing to allow her any, and directs in some measure
the sentiments of mankind, with regard to the character and conduct both
of themselves and others. That the world judges by the event, and not by
the design, has been in all ages the complaint, and is the great
discouragement of virtue. Every body agrees to the general maxim, that
as the event does not depend on the agent, it ought to have no influence
upon your sentiments, with regard to the merit or propriety of his
conduct. But when we come to particulars, we find that our sentiments
are scarce in any one instance exactly conformable to what this
equitable maxim would direct. The happy or unprosperous event of any
action, is not only apt to give us a good or bad opinion of the prudence
with which it was conducted, but almost always too animates our
gratitude or resentment, our sense of the merit or demerit of the
design.
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