The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.Smith, Adam
Philosophy
The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.
Smith, Adam
Ethics -- Early works to 1800; Language and languages -- Early works to 1800
The palaces, the gardens, the equipage, the retinue of the
great are objects of which the obvious conveniency strikes every body.
They do not require that their masters should point out to us wherein
consists their utility. Of our own accord we readily enter into it, and
by sympathy enjoy and thereby applaud the satisfaction which they are
fitted to afford him. But the curiosity of a tooth-pick, of an
ear-picker, of a machine for cutting the nails, or of any other trinket
of the same kind, is not so obvious. Their convenience may perhaps be
equally great, but it is not so striking, and we do not so readily enter
into the satisfaction of the man who possesses them. They are therefore
less reasonable subjects of vanity than the magnificence of wealth and
greatness; and in this consists the sole advantage of these last. They
more effectually gratify that love of distinction so natural to man. To
one who was to live alone in a desolate island it might be a matter of
doubt, perhaps, whether a palace, or a collection of such small
conveniencies as are commonly contained in a tweezer-case, would
contribute most to his happiness and enjoyment. If he is to live in
society, indeed, there can be no comparison, because in this, as in all
other cases, we constantly pay more regard to the sentiments of the
spectator, than to those of the person principally concerned, and
consider rather how his situation will appear to other people, than how
it will appear to himself. If we examine, however, why the spectator
distinguishes with such admiration the condition of the rich and the
great, we shall find that it is not so much upon account of the superior
ease or pleasure which they are supposed to enjoy, as of the numberless
artificial and elegant contrivances for promoting this ease or pleasure.
He does not even imagine that they are really happier than other people:
but he imagines that they possess more means of happiness. And it is the
ingenious and artful adjustment of those means to the end for which they
were intended, that is the principal source of his admiration. But in
the languor of disease, and the weariness of old age, the pleasures of
the vain and empty distinctions of greatness disappear. To one, in this
situation, they are no longer capable of recommending those toilsome
pursuits in which they had formerly engaged him. In his heart he curses
ambition, and vainly regrets the ease and the indolence of youth,
pleasures which are fled for ever, and which he has foolishly sacrificed
for what, when he has got it, can afford him no real satisfaction. In
this miserable aspect does greatness appear to every man when reduced
either by spleen or disease to observe with attention his own situation,
and to consider what it is that is really wanting to his happiness.
Power and riches appear then to be what they are, enormous and operose
machines contrived to produce a few trifling conveniencies to the body,
Public-domain text, read in full here on John Shaqi.
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