The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages. — John Shaqi
The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.Smith, Adam
Philosophy
The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.
Smith, Adam
Ethics -- Early works to 1800; Language and languages -- Early works to 1800
Whenever we meet, in common life, with any examples of such heroic
magnanimity, we are always extremely affected. We are more apt to weep
and shed tears for such as, in this manner, seem to feel nothing for
themselves, than for those who give way to all the weakness of sorrow:
and in this particular case, the sympathetic grief of the spectator
appears to go beyond the original passion in the person principally
concerned. The friends of Socrates all wept when he drank the last
potion, while he himself expressed the gayest and most chearful
tranquillity. Upon all such occasions the spectator makes no effort, and
has no occasion to make any, in order to conquer his sympathetic sorrow.
He is under no fear that it will transport him to any thing that is
extravagant and improper; he is rather pleased with the sensibility of
his own heart, and gives way to it with complacence and
self-approbation. He gladly indulges, therefore, the most melancholy
views which can naturally occur to him, concerning the calamity of his
friend, for whom, perhaps, he never felt so exquisitely before, the
tender and tearful passion of love. But it is quite otherwise with the
person principally concerned. He is obliged as much as possible, to turn
away his eyes from whatever is either naturally terrible or disagreeable
in his situation. Too serious an attention to those circumstances, he
fears, might make so violent an impression upon him, that he could no
longer keep within the bounds of moderation, or render himself the
object of the complete sympathy and approbation of the spectators. He
fixes his thoughts, therefore, upon those only which are agreeable; the
applause and admiration which he is about to deserve by the heroic
magnanimity of his behaviour. To feel that he is capable of so noble and
generous an effort, to feel that in this dreadful situation he can still
act as he would desire to act, animates and transports him with joy, and
enables him to support that triumphant gaiety which seems to exult in
the victory he thus gains over his misfortunes.
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