The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Religion
The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Theosophy -- Periodicals
It is necessary to understand the complex nature of man and the vast
range of human evolution to be able to see how one man may appear
in a nation and display a degree of progress far in advance of his
fellows, who also are all in varying stages of their long evolution.
The progressed soul incarnates perhaps in a body just like those of the
rest of the race, because it cannot get a better; and so it is not at
once recognized as an older soul, and for want of right education the
man himself may be unable to account for the difference between himself
and his fellows of which he is conscious; and so, being unaware of
his own inherent divinity and of his relation to his fellows, he may
not recognize his responsibility to them as a natural leader, fitted
by greater experience to show a light on the path of human progress,
and required by Karma or by his kinship to his fellows, to use his
experience, or his talents, or his genius, for their guidance rather
than for his own glory.
Then passing to the subject of the recent sale of the famous Rembrandt
to an American he very wisely points out that this is a private matter,
and not in any way a national or an artistic point of interest. As
said, the picture (not an English painting) was not in any sense a
national possession, nor was it of any importance in the art-life of
the nation that it should be added to the already large collection of
the master's works now owned by the National Gallery. What the writer
maintains is vital to a nation, is to encourage and to appreciate the
art of its own day and of its own artists.
Now here we meet the deplorable parochialism that does duty for
patriotism, and which is so utterly out of place in connexion with
art; for art is not national but universal, and, further, it is not
modern or ancient, but again universal; so that an attempt to limit the
sympathies of art-lovers to the products of their own age or of their
own nation is bound to fail, and can only be tolerated as an antidote
to an excessive worship of what is old or of what is foreign, these
being matters of perhaps no consequence at all.
Public-domain text, read in full here on John Shaqi.
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