The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Religion
The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Theosophy -- Periodicals
There are some people who have a quiet love for music; they go
unobtrusively to places where good music is made, listen with
attention, and go home in a serene, satisfied mood. Such persons,
from their youth on, embrace every opportunity to hear music in high
and low places; they look longingly at the instruments displayed in
music-stores and, perchance, in the hours that others devote to rest or
folly, they plod away for years unaided, practising on some unsuitable
instrument. No one pays particular attention to such a budding artist.
Perhaps he himself is not aware that his judgment grows better, riper,
keener; that the finer distinctions of music are becoming to him
sharply defined and thus satisfactory to his consciousness; his ear,
too, waxes critical at dissonances, and his very soul also delights in
the musical gems, in the flowing rhythms and harmonies.
The long weary days that are drowned for the multitude in an ocean of
sensation, do not exist for the person who is deeply, truly, interested
in music. Such a one may not hear music for days or weeks, nor have any
particular melody running through his brain; but in his sub-conscious
mind there is such a reservoir of harmonies that flow and flow all the
time, making him thoughtful, meditative, happy. He laughs or sighs
like other people, but there is something besides, that shows in his
countenance or manner, something that one instinctively feels is lofty;
perhaps it is music running through his blood, singing all the while.
There are some who by Karma's decree have a father or a mother who
recognize a little talent for music in the child and let him be taught,
and by encouragement promote his musical development. This is like
bestowing a priceless treasure on the one so favored, for now he enters
upon the realm of one of the mysteries of the Eternal.
Once begun, there is no end. On and on goes the progress, revealing
with each step an ever-widening horizon of beauty, love, happiness.
The musician goes inward, ever inward. All is being transformed and
remodeled in his soul. The tears are music, the joys are music, the
whole world is music; men and women are like harps on which to play; he
can sway them from one extreme mood to another; and he?--he really owns
the world, never to lose it!
Public-domain text, read in full here on John Shaqi.
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