The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Religion
The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Theosophy -- Periodicals
On the other hand there are some who practise on a musical instrument
for hours every day. Years roll by, but there seems to be no progress
made, at least there is no appreciation of progress at the hands of
other persons. Still, the musicians belonging to this class do not
seem to be discouraged. They may grow old the while, but never relax
in their aspirations. What for? Think you, perhaps, that all this
one-pointedness, this expenditure of energy to attain to an ideal,
will be lost when the man dies? Not so! Nothing is ever lost. Nature
preserves everything. Every single effort leaves its imprint upon the
soul in which the result finally inheres. When such a life has come to
its end the people may say: "Poor musician! he labored all his lifetime
and accomplished nothing!" But see! when a boy suddenly appears who
at the age of eight years can play an instrument, surmounting the
most difficult technique with great ease, almost as if he had known
it before he commenced--what then? We begin to look around for the
hereditary connexion; and here we see quite often that neither his
parents nor cousins or any relations have or had any trace of such
talent.
How comes it then that the prodigy can do this without having to learn
it like other people? May it not be that he has really learned it at
some time, _in another life_ and stored it away in his soul, and now,
he simply manifests most naturally what is his own?
Truly, artists are not made out of nothing. They are made out of all
these things that they previously, diligently and persistently, labored
for. Every bit of it, every feeling, every emotion, and every touch
of the heart, of the head, and of the hand that they now manifest is
of their own making, without any miracle or extraneous grace. Thus is
Genius for music cultivated.
GLIMPSES OF SCANDINAVIAN MYTHOLOGY: by Per Fernholm, M. E., Royal
Institute of Technology (Stockholm)
When the fragments still left of Scandinavian mythology, scattered
in the Icelandic sagas and tales, are carefully put together, they
give a grand picture of the history of Earth and Man from the first
dawn of the present great Day of evolution. Clear and scientific in
the broad outlines, they will some day surely prove a gold-mine of
useful knowledge for future researches into the past. Nor do they
stop with the history of the past and its blending with the present,
but go farther and picture the destruction of life as we know it in a
purifying fire, and show how a new earth arises from the sea, whereon a
new and lasting Golden Age will be enjoyed by Gods and men.
When Earth had assumed its shape and was ready to receive living
beings, the Creative Wisdom permeated the elements and in the ensuing
fermentation the cow Audumla appeared. Licking the salt rocks she
liberated from the life-germs of the various elements a great and
beautiful being endowed with a divine spirit. He became the father of
the Gods who rule and protect the world of Man in this cycle.
Public-domain text, read in full here on John Shaqi.
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