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THE THIRD VIOLET
by
STEPHEN CRANE
Author of The Red Badge of Courage,
The Little Regiment, and Maggie
New York
D. Appleton and Company
1897
Copyright, 1897,
by D. Appleton and Company.
Copyright, 1896, by Stephen Crane.
THE THIRD VIOLET.
CHAPTER I.
The engine bellowed its way up the slanting, winding valley. Grey crags,
and trees with roots fastened cleverly to the steeps looked down at the
struggles of the black monster.
When the train finally released its passengers they burst forth with the
enthusiasm of escaping convicts. A great bustle ensued on the platform
of the little mountain station. The idlers and philosophers from the
village were present to examine the consignment of people from the city.
These latter, loaded with bundles and children, thronged at the stage
drivers. The stage drivers thronged at the people from the city.
Hawker, with his clothes case, his paint-box, his easel, climbed
awkwardly down the steps of the car. The easel swung uncontrolled and
knocked against the head of a little boy who was disembarking backward
with fine caution. "Hello, little man," said Hawker, "did it hurt?" The
child regarded him in silence and with sudden interest, as if Hawker had
called his attention to a phenomenon. The young painter was politely
waiting until the little boy should conclude his examination, but a
voice behind him cried, "Roger, go on down!" A nursemaid was conducting
a little girl where she would probably be struck by the other end of the
easel. The boy resumed his cautious descent.
The stage drivers made such great noise as a collection that as
individuals their identities were lost. With a highly important air, as
a man proud of being so busy, the baggageman of the train was thundering
trunks at the other employees on the platform. Hawker, prowling through
the crowd, heard a voice near his shoulder say, "Do you know where is
the stage for Hemlock Inn?" Hawker turned and found a young woman
regarding him. A wave of astonishment whirled into his hair, and he
turned his eyes quickly for fear that she would think that he had
looked at her. He said, "Yes, certainly, I think I can find it." At the
same time he was crying to himself: "Wouldn't I like to paint her,
though! What a glance--oh, murder! The--the--the distance in her eyes!"
Public-domain text, read in full here on John Shaqi.
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