Detective and mystery stories; England -- Social life and customs -- 19th century -- Fiction; Murder -- Investigation -- Fiction
Fortunately Mrs. Hilliston was driving in the Park, so the lawyer shut
himself up in his library, and went on reading the story. He did not see
his wife till dinner, which took place at eight o'clock, and then
descended in his ordinary clothes, looking ill and pale. Something he
had read in the novel had startled him more than he cared to
confess--even to himself.
"You must excuse my dress, Louise," he said, on taking his seat, "but I
have been so engrossed with a novel that I did not hear the dressing
bell."
"It has not had a pleasant effect on you," replied his wife, smiling;
"you do not look at all well."
"I am not well," said Hilliston, who merely trifled with his food; "you
must excuse me going with you to the Lamberts' to-night, as I think I
shall call in and see my doctor."
"Are you so bad as all that?" questioned Mrs. Hilliston anxiously. "Why
not send for Dr. Bland?"
"I prefer going to see him, Louise. You will probably not be back till
three in the morning, so I will go to bed immediately on my return. Have
no fear, my dear, it is only a trifling indisposition."
After these plain statements it was rather strange that Hilliston, in
place of driving to Dr. Bland's, who lived in Hill Street, should direct
the cab, which he picked up by the Park railings, to drive to Hampstead.
CHAPTER IX.
MRS. BEZEL.
ONE cannot always judge by appearances either as regards human beings or
houses. Mr. Hilliston was one excellent illustration of this rule;
Clarence Cottage was another. It was in a narrow and crooked lane
trending downward to the right, at the summit of Fitzjohn's Avenue; an
unpretentious two-story building, divided from the public thoroughfare
by a well-cultivated garden. Therein grew thyme and lavender, marigolds
and pansies; for the owner of the cottage loved those homely flowers,
and daily gazed at them from the bow-window wherein her couch was
placed.
Mrs. Bezel never walked in her garden, for the all-sufficient reason
that she was a helpless paralytic, and had not used her limbs for over
ten years. Still a moderately young woman of forty-five, she possessed
the remains of great beauty, ravaged by years of anxiety and mental
trouble. Those passing along the lane usually saw her pale face at the
window, and pitied the sufferings written in every line; sufferings
which were apparent even to a casual glance. Noting the homely garden,
the mean-looking dwelling, the anxious expression of the invalid, they
deemed her to be some poor sickly creature, the scapegoat of nature and
the world, who had sought this secluded spot in order to hide her
troubles. This view was not entirely correct.
Public-domain text, read in full here on John Shaqi.
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