The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
The last place in the world, perhaps, that one would look for a great
impulse to the development of the modern drama, which is entirely a
new invention, an outgrowth of Christian culture and has practically
no connection with the classic drama, would be in the life of St.
Francis of Assisi. His utter simplicity, his thorough-going and
cordial poverty, his sincere endeavor all during his life to make
little of himself, might seem quite enough to forbid any thought of
him as the father of a literary movement of this kind. "The poor
little man of God," however, as he liked to call himself, in his
supreme effort to get back to nature and out of the ways of the
conventional world, succeeded in accomplishing a number of utterly
unexpected results. His love for nature led to his wonderful
expression of his feelings in his favorite hymn, one of the first
great lyrical outbursts in modern poetry, a religious poem which as we
shall see in the chapter on the Father of the Renaissance, Renan
declares can only be appreciated properly by comparing it with the old
Hebrew psalms, beside which it is worthy to be placed.
Those who know the life of St. Francis best will easily appreciate how
dramatic, though unconsciously so, were all the actions of his life.
After all, his utter renunciation of all things, his taking of holy
poverty to be his bride, his address to the birds, his sisters, his
famous question of the butcher as to why he killed his brothers, the
sheep, his personification of the sun and the moon and even of the
death of the body as his brothers and sisters, are all eminently
dramatic moments. His life is full of incidents that lent themselves,
because of their dramatic quality, to the painters of succeeding
centuries as the subjects of their striking pictures. Before the end
of the century Giotto had picked out some of the most interesting of
these for the decorative illustration of the upper church at {239}
Assisi. During the succeeding century, the author of the Little
Flowers of St. Francis, embodied many of these beautiful scenes in his
little work, where they have been the favorite reading of poets for
many centuries since.
Public-domain text, read in full here on John Shaqi.
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