It should not be such a surprise as it might otherwise be, then, to find that St. Francis may be considered in one sense as the father of the modern drama. The story is a very pretty one and has an additional value because it has been illustrated by no less a brush than that of Giotto. One Christmas Eve just at the beginning of the Thirteenth Century, St. Francis gathered round him some of the poor people living outside of the town of Assisi, in order to recall vividly to them the great event which had taken place on that night so many centuries before. A little figure of a child, dressed in swaddling clothes, was laid on some straw in a manger with the breath of the nearby animals to warm it. To this manger throne of the Child King of Bethlehem, there came in adoration, after the hymns that recalled the angels' visit, first some of the shepherds from the surrounding country and then some of the country people who represented the kings from the East with their retinues, bringing with them their royal gifts. After this little scene, probably one of the first Nativity plays that had ever been given, St. Francis, according to the old legend, took the little image in his arms and in an excess of devotion pressed it to his heart. According to the old-time story, the infant came to life in his embrace and putting its little arms around his neck embraced him in return. Of course our modern generation is entirely too devoted to "common sense" to accept any such pretty, pious story as this as more than a beautiful poetic legend. The legend has provided a subject for poet and painter many a time in subsequent centuries. Perhaps never has it been used with better effect than by Giotto, whose representation is one of the favorite pictures on the wall of the upper church of Assisi. Whether the little baby figure of the play actually came to life in his arms or not we do not know, but one thing is certain, that infant modern dramatic literature did come to life at the moment and that before the end of the Thirteenth Century it was to have a vigor and an influence that made it {240} one of the great factors in the social life of the period. The Franciscans were soon spread over the world. With filial reverence they took with them all the customs of their loved Father of Assisi, and especially such as appealed to the masses and brought home to them in a vivid way the great truths of religion. By the middle of the century many of the towns had cycles of mystery plays given at various times during the year, associated with the different feasts and illustrating and enforcing the lessons of the liturgy for the people in a manner so effective that it has probably never been equaled before or since.