In Germany, just at the same time, the Nibelungen-Lied was receiving the form in which it was to live as the great National epic. The Meistersingers also were accomplishing their supreme work of Christianizing and modernizing the old German and Christian legends which were to prove such a precious heritage of interest for posterity. In the South of Germany the Minnesingers sang their tuneful strains and showed how possible it was to take the cruder language of the North, and pour forth as melodious hymns of praise to nature and to their beloved ones as in the more fluent Southern tongues. Most of this was done in the old Suabian high German dialect, and the basis of the modern German language was thus laid. The low German was to prove the vehicle for the original form of the animal epic or stories with regard to Reynard, the Fox, which were to prove so popular throughout all of Europe for all time thereafter. In North France the Trouvères were accomplishing a similar work to that of the Minnesingers in South Germany, but doing it with an original genius, a refinement of style characteristic of their nation, and a finish of form that was to impress itself upon French literature for all subsequent time. Here also Jean de Meun and Guillaume de Lorris wrote the Romance of the Rose, which was to remain the most popular book in Europe down to the age of printing and for some time thereafter. At the South of France the work of the Troubadours, similar to that of the Trouvères and yet with, a spirit and character all its own, was creating a type of love songs that the world recurs to with pleasure whenever the lyrical aspect of poetry becomes fashionable. The influence of the Troubadours was to be felt in Italy, and before the end of the {11} Thirteenth Century there were many writers of short poems that deserve a place in what is best in literature. Men like Sordello, Guido Cavalcanti, Cino da Pistoia, and Dante da Maiano, deserve mention in any historical review of literature, quite apart from the influence which they had on their great successor, the Prince of Italian poets and one of the immortal trio of the world's supreme creative singers--Dante Alighieri. With what must have seemed the limit of conceit he placed himself among the six greatest poets, but posterity breathes his name only with those of Homer and Shakespeare.