In the handicrafts most nearly allied to the arts, the Thirteenth Century reigns supreme with a splendor unapproached by what has been accomplished in any other century. The iron work of their gates and railings, even of their hinges and latches and locks, has been admired and imitated by many generations since. When a piece of it is no longer of use, or loosens from the crumbling woodwork to which it was attached, it is straightway transported to some museum, there to be displayed not alone for its antiquarian interest, but also as a model and a suggestion to the modern designer. This same thing is true of the precious metal work of the times also, at least as regards the utensils and ornaments employed in the sacred services. The chalices and other sacred {14} vessels were made on severely simple lines and according to models which have since become the types of such sacred utensils for all times. The vestments used in the sacred ceremonials partook of this same character of eminently appropriate handiwork united to the chastest of designs, executed with supreme taste. The famous cope of Ascoli which the recent Pierpont Morgan incident brought into prominence a year or so ago, is a sample of the needlework of the times that illustrates its perfection. It is said by those who are authorities in the matter that Thirteenth-Century needlework represents what is best in this line. It is not the most elaborate, nor the most showy, but it is in accordance with the best taste, supremely suitable to the objects of which it formed a part. It is, after all, only an almost inevitable appendix to the beautiful work done in the illumination of the sacred books, that the sacred vestments should have been quite as supremely artistic and just as much triumphs of art. As a matter of fact, every minutest detail of cathedral construction and ornamentation shared in this artistic triumph. Even the inscriptions, done in brass upon the gravestones that formed part of the cathedral pavements, are models of their kind, and rubbings from them are frequently taken because of their marvelous effectiveness as designs in Gothic tracery. Their bells were made with such care and such perfection that, down to the present time, nothing better has been accomplished in this handicraft, and their marvelous retention of tone shows how thorough was the work of these early bell-makers.