When these facts are considered in reference to each other, the date assigned, in the Review, to the composition of the work cannot reasonably be regarded as far from the truth. It is in Egypt, and especially in the Memlook court, that we must look to find the people, the manners, and the habits of thought, of "The Arabian Nights;" while the style of the language in which they are written is that which we might expect from an Egyptian of those times, who, unskilled in the classical Arabic, yet endeavouring to imitate it, was doubtless more generally intelligible then than he is now to the modern Egyptians. This assumption of the old language, I may remark, is, and always has been, characteristic of all learned Arabs, be they Egyptians or natives of other Arabian countries (for such Egypt truly is); but no other instance exists of a work of fiction in which the attempt fails so singularly in affecting the classical, or retaining the modern tongue; while all other Arabic _tales_ are certainly composed in either the one or the other. The modern Egyptian romances are mostly written in the colloquial dialect of every-day life; but those which are of older date are not _modernized_, as some have supposed, against all reason, "The Thousand and One Nights" to be: such an alteration would be without a parallel in Arabic literature, as Mr. Lane proves in the Review in a way to relieve me of the necessity of further alluding here to this particular question. "The Thousand and One Nights" exhibit a style which would be unfamiliar to the audience of the reciter of romances, without attaining to the classical diction: and the conclusion is forced on us that the work exhibits the language of a by-gone generation, which (taking into consideration the other indications of its age and country), is, it can scarcely be disputed, that of the later period of the Memlook rulers of Egypt, before the Turkish conquest of that country. In the words of Mr. Lane's Preface:--"Most of the tales which it contains are doubtless of an older _origin_, and many of them founded upon very old traditions and legends; but all these traditions or legends were evidently remodelled so as to become pictures of the state of manners which existed among the Arabs, and especially among those of Egypt, at the period here mentioned; and I think that the composer of the work, or each of the composers, if one commenced and another completed it, was an Egyptian."