The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments
General
The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments
Fairy tales; Tales -- Arab countries
NOTE 15. The meaning conveyed by this comparison is "tall and slender."
NOTE 16. In the MS. from which the old translation was made, it appears
that this lady is called Zubeydeh (which was the name of the daughter of
Jaạfar the son of El-Manṣoor, and wife of Er-Rasheed); the portress,
Ṣáfiyeh; and the cateress, Ámineh; but no names are given to them in any
of the copies of the original to which I have access.
NOTE 17. Literally, "two nuṣfs." "Nuṣf," vulgarly pronounced by the
Egyptians "nuṣṣ," and signifying "half," is the name of a small Egyptian
coin made of a mixture of silver and copper, and now equivalent to
something less than a quarter of a farthing; but this name was
originally given to the half-dirhems which were struck in the reign of
the Sulṭán El-Mu-eiyad, in the early part of the ninth century of the
Flight, or of the fifteenth of our era. In the Calcutta edition of the
first two hundred nights, and in the edition of Breslau, we read here
"two dirhems," instead of "two nuṣfs." [The coin here mentioned still
bears the name "Mu-eiyadee," or, vulgarly, "Meiyadee." In the latest
coinage, copper has been substituted for the mixed metal. ED.]
NOTE 18. The "menáreh" is the tower of a mosque, commonly called by
English writers "minaret," which generally rises from a square base.
NOTE 19. It is a common custom in the East to seal the doors of
store-houses with a lump of clay, lest the lock should be picked.
NOTE 20. I here deviate a little from the Cairo edition, in which the
cateress is described as having drunk three cups of wine successively
before she handed any to her sisters. My reason for this will presently
be seen.
NOTE 21. Thus in two editions. In the Cairo edition, "tukellimuhu" is
put for "telkumuhu."
NOTE 22. _On Wine, Fruits, Flowers, and Music, in Illustration of Arab
Carousals._ I here pass over an extremely objectionable scene, which, it
is to be hoped, would convey a very erroneous idea of the manners of
Arab _ladies_; though I have witnessed, at private festivities in Cairo,
abominable scenes, of which ladies, screened behind lattices, were
spectators. Can the same be said with respect to the previous carousal?
This is a question which cannot be answered in a few words.
The prohibition of wine, or, rather, of fermented and intoxicating
liquors, being one of the most remarkable and important points of the
Mohammadan religion, it might be imagined that the frequent stories in
this work, describing parties of Muslims as habitually indulging in the
use of forbidden beverages, are scandalous misrepresentations of Arab
manners and customs. There are, however, many similar anecdotes
interspersed in the works of Arab historians, which (though many of them
are probably untrue in their application to particular individuals)
could not have been offered to the public by such writers if they were
not of a nature consistent with the customs of a considerable class of
the Arab nation.
Public-domain text, read in full here on John Shaqi.
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