Husband and wife -- Fiction; Man-woman relationships -- Fiction
What I was chiefly seeking was forgetfulness. Lydia had reproached me
with being a "poor boob" in giving up the struggle for Vio’s love; but
Lydia hadn’t known the wound Vio had inflicted. The more I thought of
that the more I felt it due to the dignity of love to attempt neither
explanation nor defense. On mere circumstantial evidence Vio had
believed me guilty of the crime she would probably have rated as the
blackest in the calendar. I couldn’t forgive that. I had no intention
of forgiving it. The more I loved her the less I could forget that she
had returned my love in this way. The most chivalrous thing I could do,
the most merciful toward her, and the most tender was what I was doing.
I could leave her without a contradiction, so justifying tacitly
whatever she may have thought, and putting no restraint on her future
liberty of action.
I said so to Mildred Averill when we talked it over about the middle of
March. I had not intended to renew this connection unless a sign was
made from the other side; but it was given in the form of a line from
Miss Averill begging me to come and see her in the apartment she had
taken for herself in Park Avenue, where at last she had a little home.
Knowing that my duties kept me at the Museum on week-days she had fixed
the time for a Sunday afternoon.
It will be remembered that we had met in the previous December, so that
I found little change in her now. As I had noticed then, she had grown
more spiritual, with an expression of restfulness and peace.
"That’s because I don’t struggle so much," she explained, in answer to
my remark on this change; "I don’t fight so much. I’m not nearly the
rebel I used to be."
"Does that mean that you’ve made up your mind to let things go?"
"No; to let things come. That’s what I wouldn’t do before. I wanted to
hurry them, to force them, to drag them along. I begin to see that life
has its own current upward, and that we succeed best by getting into it
and letting it carry us onward."
"But doesn’t that theory tend to take away one’s own initiative?"
"I don’t know that initiative is any good if it’s directed the wrong
way. Did you ever watch a leaf being carried down-stream? As long as
it’s in the current it goes swiftly and safely. Then something catches
it and throws it into some little side-pool or backwater, where it goes
fretting and swirling and tearing itself to pieces and never getting
anywhere. Well, it’s something like that. I was in a side-pool, lashing
round and round and churning my spirit, such as it is, into nervous
irritations of every kind, making myself the more furious because my
efforts were to no purpose."
"And how did you get out into the current again?"
Public-domain text, read in full here on John Shaqi.
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