"And a good thing too, poor dear. If it was it would be the limit. She sure has the sense to know what she can’t do. That’s something. Look here, Harry," she continued, sharply, "I told you before that if you’re going to take letters down from the dictaphone you’ve got to read them through to the end before you begin to transcribe. Then you’ll know where the corrections come in. Now you’ve got to go back and begin all over again. See here, my dear. If you think I’m going to waste my perfectly good time giving you lessons that you don’t listen to you’ve got your nerve with you." It was one of my rare visits to Miss Flowerdew’s dark front parlor, of which Drinkwater had the use, and I was making the call for a purpose. I knew there were certain afternoons when Miss Blair "breezed in," as she expressed it, to give some special lesson to her pupil; and I had heard once or twice that on such occasions Miss Averill, too, had come to lend him her encouragement. Nominally she brought a cylinder from which Drinkwater was to copy the letters her brother had dictated; but really her mission was one of sympathy. Seeing the boy in such good hands, and happy in his lot, I had the less compunction in leaving him alone. I left him alone, as I have said, in order not to be identified more than I could help with two stenographers. My visit of this day was notably successful in that I obtained from Miss Blair her own summing up of the social position of the Averill family. As far as they carried a fashionable tag it was musical. Mrs. Averill had a box at the opera, and was seen at all the great concerts. She entertained all the great singers and all wandering celebrities of the piano and violin. Before she went to Europe she had begun to make a place for herself with her Sunday afternoons, at which one heard the most renowned artists of the world singing or playing for friendship’s sake. In her own special line she might by now have been one of the most important hostesses in New York had it not been for her constitutional weakness in "chucking things." She had always chucked things just when beginning to make a success of them. She had chucked her career as a girl in good society in order to work for the concert stage. She had chucked the concert stage in order to marry a rich man. She had chucked the advantages of being a rich man’s wife while in the full tide of social recognition. With immense ambitions, she lacked steadiness of purpose, and so, according to Miss Blair, she was always "getting left." Getting left implied that as far as New York was concerned Lulu Averill was nowhere when she might easily have been somewhere, with a consequent feeling on her part of boredom and disappointment.