Husband and wife -- Fiction; Man-woman relationships -- Fiction
The house, too, was that oasis in New York, an old-time dwelling in
gray-painted brick which progress has not yet swept away. Standing
where Wapping Street and Theodora Place ran together at a sharp angle,
it was shaped like a sadiron or a ship’s prow. The tip of the ground
floor was given over to a provision dealer, while a barber occupied the
long slit in the rear. Between the two shops a door on the level of the
pavement of Theodora Place gave on a little inset flight of steps which
led up to the actual entrance. The vestibule was shabby, but, moved by
my experience in the early part of the afternoon, I observed that it was
clean.
The woman who answered my ring was not only clean, but neatly dressed in
what I suppose was a print stuff, and not only neatly dressed, but
marked with a faded prettiness. What I chiefly noticed for the minute
was a pair of those enormous doll-blue eyes on a level with the face, as
the French say, _à fluer de fête_, which make the expression sweet and
vacuous. In her case it was resignedly mournful, as if mournfulness was
a part of her aim in life. A single gas-jet flickered behind her,
showing part of a hallway in which the same walnut furniture must have
stood for so many years that it was now groggy on its feet. To my
question about a room she replied with a sweet, sad, "Won’t you step
in?" which was tantamount to a welcome.
The floor of the hallway was covered with an oilcloth or linoleum which
had once simulated a terra-cotta tiling, and was now but one remove from
dust. On a mud-brown wall a steel-engraving of a scow, with Age at the
helm, and Youth peering off at the bow, sagged at an angle which
produced a cubist effect in its relation to the groggy-footed hat-rack.
The doors on the left of the hall were closed; on the right a graceful
stairway, lighted by a tall window looking out on Theodora Place, curved
upward to the floor above.
At the sound of voices in the hall one of the closed doors opened, and a
second woman, a replica of the first, except for being older, came out
and looked inquiringly. She, too, was fadedly pretty; she, too, was
mournful; she, too, was saucer-eyed; she, too, was neatly dressed in a
print stuff.
"This gentleman is looking for a room," was the explanation, sadly
given, of my presence.
The ladies withdrew to the foot of the stairway for a whispered
conference. This finished, the elder came back to where I stood on the
door-mat.
"We generally ask for references—" she began, with a glance at my sodden
appearance.
"If that’s essential," I broke in, "I’m afraid it must end matters.
I’ve only recently come over from France, and I’m a total stranger in
New York. I rang the bell because I saw the notice and I liked the look
of the house."
As it happened, the last was the most tactful thing I could have said,
going to the hearts of my hostesses. Something, too, in my voice and
choice of words must have appealed to their sense of gentility.
Public-domain text, read in full here on John Shaqi.
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