Husband and wife -- Fiction; Man-woman relationships -- Fiction
"It’s a nice old house," the elder lady smiled, with her brave air of
having to overcome agony before being able to speak at all. "It’s
old-fashioned, of course, and horribly in the wrong part of the city
nowadays; but my sister and I love it. We’ve always lived here, and our
dear father before us. He was Doctor Smith, quite a famous oculist in
his day; you may have heard of him?"
"I’ve heard the name," I admitted, politely.
"We’ve two good rooms vacant at present; but if you can’t give
references"—a wan smile deprecated the unladylike suggestion—"I’m afraid
we should have to ask you for a week’s rent in advance. I shouldn’t
speak of it if it was not our rule."
When I had agreed to this she led the way over the frayed cocoanut
matting of the staircase to an upper hallway, also carpeted in
pulverized oilcloth. With one sister ahead of me, and the other
shepherding me behind, I was ushered into a large prow-shaped room
immediately over the provision dealer, and smelling faintly of raw meat.
I could have borne the odor if the rent had not been six a week.
"We’ve another room just over this," the spokeswoman informed me, "but
it’s only half this size."
"If it’s only half this rent—"
"It’s just half this rent."
So, marshaled as before, I mounted another stairway in cocoanut matting
to a slit of a room shaped like half a ship’s prow, with its single
window placed squintwise. As the smell of raw meat was less noticeable
here, the squint of the window out into Meeting-House Green, and the
rent so low, I made my bargain promptly.
In the days of the famous oculist the room must have been a maid’s. It
was still furnished like a maid’s in a house of the second order. A
rickety iron bedstead supported a sagging mattress covered with a cotton
counterpane in imitated crochet-work. A table, a washstand, a chair,
and a chest of drawers were perhaps drearier than they might have been,
because of the sick light of the gas-jet. On a drab wooden mantelpiece,
which enshrined a board covered with a piece of cretonne where once had
been a fireplace, stood the only decoration in the room, three large
fungi, painted with landscapes. The fungi were of the triangular sort
which grow about the trunks of trees. There was a big one in the middle
of the mantelpiece, and smaller ones at each end, giving glimpses of
rivers and bays, with castles on headlands, to one tired of the prospect
of Meeting-House Green. Taking the initiatory three dollars from my
purse, I bent to study these objects of art.
Once more the act was ingratiating to my hostesses.
"That’s my work," said the little woman who had admitted me to the
house. Her tone was one of shy pride, of a kind of fluttered
boastfulness.
Public-domain text, read in full here on John Shaqi.
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