We had a charming idyll here to-day. A young husband and wife came to
stay with us in all the first flush of married happiness. One realised
all day long that other people merely made a pleasant background for
their love, and that for each there was but one real figure on the
scene. This was borne witness to by a whole armoury of gentle looks,
swift glances, silent gestures. They were both full to the brim of a
delicate laughter, of over-brimming wonder, of tranquil desire. And we
all took part in their gracious happiness. In the evening they sang
and played to us, the wife being an accomplished pianist, the husband a
fine singer. But though the glory of their art fell in rainbow showers
on the audience, it was for each other that they sang and played. We
sat in the dim light of a little panelled room, the lamps making a
circle of light about the happy pair; seldom have I felt the revelation
of personality more. The wife played to us a handful of beautiful
things; but I noticed that she could not interpret the sadder and
darker strains, into which the shadow and malady of a suffering spirit
had passed; but into little tripping minuets full of laughter and
light, and into melodies that spoke of a pure passion of sweetness and
human delight, her soul passed, till the room felt as though flooded
with the warmth of the sun. And he, too, sang with all his might some
joyful and brave utterances, with the lusty pride of manhood; and in a
gentler love-song too, that seemed to linger in a dream of delight by
crystal streams, the sweet passion of the heart rose clear and true.
But when he too essayed a song of sorrow and reluctant sadness, there
was no spirit in it; it seemed to him, I suppose, so unlike life, and
the joy of life,--so fantastic and unreal an outpouring of the heart.
Public-domain text, read in full here on John Shaqi.
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