The Three Black Pennys: A NovelHergesheimer, Joseph
General
The Three Black Pennys: A Novel
Hergesheimer, Joseph
Family -- Fiction; Pennsylvania -- Fiction; Steel industry and trade -- Fiction
"You frighten me, a little," she confessed. "Are you at all like--like
that below inside of you? I have a feeling that you might be. If you
were one of the men about Vauxhall you'd be kissing me now ... if I
liked you. But, although I do like you, I wouldn't kiss you for an
emerald buckle." He recognized that she spoke seriously; her voice bore
no connective suggestion. Kisses, it appeared, were no more to her than
little flowers which she dealt out casually where she pleased. Yet the
idea, with its intimate sensual implications, stayed in his thoughts. He
considered kissing her, holding her mouth against his; and he was
conscious of a sharp return of his stinging sense of her bodily
seductiveness.
At the same time an obscure uneasiness, rebellion, possessed him; it was
the old, familiar feeling of revolt, of distaste for imprisoning
circumstance. It came to him acutely, almost as if a voice had whispered
in his ear, warning him, urging him into the wild, to escape threatening
catastrophe. He determined to leave Myrtle Forge in the morning, to
return to the stream he had followed into the serene heart of the woods.
There he would stay until--until Ludowika Winscombe had gone. Howat had
no especial sense of danger from her; only for the moment she typified
the entire world of trivial artifice. He gazed at her with a conscious
detachment possible because of the rarity in his existence of such
figures as hers.
She had risen, and her cloak fallen upon the grass. Howat could see her
face beneath hair faintly powdered with silver dust and the ruffled
patch of white tied pertly under her chin. Her smoothly turning
shoulders, filmed in lawn, and low bodice crowned an extravagant
circumference of ruffled silk and rosettes. Against the night of the
Province, the invisible but felt presence of immutable hills, she was
like a puppet, a grotesque figure of comedy. He regarded her sombrely
from the step, his chin cupped in a hand.
But, again, she surprised him, speaking entirely out of the character he
had assigned her, in a spirit that seemed utterly incongruous, but which
was yet warm with conviction. "I want to explain a great deal to you,"
she said, "that really isn't explainable. It isn't sensible, and yet it
is the strongest feeling I remember. It's about here and you and me. You
can't picture my life, and so you don't know how strange this is, how
different from all I've ever lived.
Public-domain text, read in full here on John Shaqi.
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