The Three Brothers; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Three Brothers; vol. 2/3
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
When Laurie left the Hydrographic in company with his friend Slasher, he
had still a hope of being able to present himself for a few moments in
the Square to report how he had sped. But his companion, as it turned
out, had no such idea. The Hydrographic held its meetings in the
artists’ quarter,--in that region which, but for art, no man of fashion
would think of visiting. But being in it, for once in a way, Slasher,
who considered himself a man of fashion, had made up his mind to make
the best of it. He went with Laurie to his rooms, talking all the way of
Suffolk’s pictures. That the critic had been shaken by the sight of
them, there could be no doubt. He had been moved by the admiration of so
many men who knew better than he did. The mere fact that the painter had
been invited to make such an exhibition showed that he was becoming
known to his own profession, and had been owned by it. There was light,
and space, and leisure to look at the pictures. There was the
comfortable sensation,--in Slasher’s case,--of a good dinner and
pleasant company, and just such an amount of deference to himself as
soothed and glorified his self-esteem. He insisted on going with Laurie
to finish the evening, letting his tongue loose as they walked along.
‘There is something in it, I don’t deny,’ he said. ‘The contrast between
that fair group of children and the dark Romans is very well done, and
the monk’s figure is full of expression. Let us see what you have
yourself, Laurie. I, for one, am more interested in that. Welby is such
a friend of yours, he might have found a place for something of your own
to-night. It is not a bad room for showing a picture,--and all sorts of
men go to the Hydrographic. It would be as good a thing as you could do
to make Welby exhibit you there next time he has a chance. Yes, I don’t
deny there’s a good deal that’s fine about that picture. The light is
very well managed. It sets one thinking of Rome, you know, and how the
air all smiles and glows about you on a spring morning. It’s not a bad
picture. Is this where you live? It is not so nice as Kensington Gore.’
Public-domain text, read in full here on John Shaqi.
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