The Three Brothers; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Three Brothers; vol. 2/3
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
He had begun to say to himself that he was
a useless wretch, and not good for much, and that it was ridiculous to
hope that he could ever make any mark in the world; and would come home
from seeing his friends of nights, who were all so busy, with a certain
sensation of misery. The padrona’s pictures had been put into their
frames, though she was still working at that one for Mr. Rich, and her
studio was beginning to get freshened up and decorated in preparation
for the private view, which every painter affords to his or her friends
and patrons. Even old Welby had taken down the white canvas and the
Angelichino, and placed two of his own pictures to have the final
touches given to them and to be exhibited before they went to the
Academy. As for Suffolk, he was working with a kind of passion at the
big picture which had been so unsparingly criticised; the canvas was as
big as that one of Laurie’s, on which the chalk outlines still
lingered,--and there were but two figures in it. The maid in the low
arched doorway, in her white kirtle, was dismissing her lover with an
inexorable sweetness and sadness; the young man was resisting, and
refusing to be dismissed, his dark face glowing with love, and trouble,
and angry protest against fate. They were the representatives of two
races, hostile, yet fated to mingle; and there was in the picture,
moreover, a deeper issue,--that struggle of love and duty which it is
sometimes best for the world should not be decided on duty’s side.
Laurie would stand and look at it, and wonder why he could not have done
it as well. Sometimes a vision of the Edith of his imagination, with a
still deeper force of expression in her face, would flit across this
canvas; but he had discrimination enough to know that Suffolk, in his
place, would have painted that Edith had all the world been against him.
After all, it was his own fault, but that was no particular consolation;
and he felt himself left outside, out of their calculations, almost out
of their sympathy, at this particular crisis of fate, when everybody was
too much excited about his own luck, and his neighbour’s, to have
leisure to think of the rest of the world. The moment for sending in to
the Academy was like the eve of a great battle in Fitzroy Square and its
environs; and Laurie, who was not even a volunteer to come in the
_mêlée_, could not but find himself sometimes out of place among those
excited groups, with their one subject. He was interested in their
fate; but he was not himself putting his own to the touch--and he was a
little low in consequence, and heartily wished the crisis over, and
things going on again in their usual way. Let who would object, Laurie
said to himself, with a kind of desperate resolution, he would have
something to send next year.
Public-domain text, read in full here on John Shaqi.
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