‘Have you now, Mr. Renton?’ cried Mrs. Rich; ‘I should like to see that. Dear little angels! Though my own are all grown up, I adore little children. And you never saw such a skin and such hair as my Nelly had when she was a little thing. They are lovely, Mrs. Suffolk--I think they are quite lovely. Mr. Rich, don’t you think that group is just like our Charlie and Alf? I mean what they used to look. And that woman with the white thing on her head,--that is a beauty! I am sure your husband must have painted you scores of times,’ she went on, graciously laying her hand upon little Mrs. Suffolk’s shoulders. ‘Now come and show me this other one, and let the gentlemen talk. I hope Mr. Rich will buy that picture. I think he will buy it. And they tell me there was something very nice about it in the “Sword.”’ ‘Yes,’ said the painter’s wife, all confused and breathless with anxiety, straining her ears to hear what the gentlemen were saying; ‘and the “Looker-on” had an article too. They were all very complimentary; they said it was quite a work of genius----’ ‘But it has not begun to pay just yet,’ said Mrs. Rich, with a little wave of her hand. There was a melting, liberal grandeur about her patroness. She looked like a conferrer of favours,--a rich, mellow, embodied Fortune. ‘I think Mr. Rich will buy it,’ she repeated, looking round upon her husband. This was not a speech calculated to still Mrs. Suffolk’s agitation. Could it be possible? Oh, if Reginald would only be civil! If he would but condescend to talk and show it off to the best advantage! But it was Laurie who was talking. It was he who was pointing out all its great qualities. And then there was a pause, awful as the pause,--not before a thunderstorm,--that is nothing,--a mere accident of nature,--awful almost as the pause you make when you have opened the letter which is to bring you news of life or death! And then, once more, it was Laurie Renton’s voice that broke the silence. If he had been pleading with a woman whom he loved, his tones could scarcely have been more insinuating. ‘If I remember Beecham rightly,’ he said, ‘there was a space left for a picture just opposite the little organ in what used to be the music-room. Have you changed that? or perhaps you have placed some picture there?’