The Three Brothers; vol. 3/3Oliphant, Mrs. (Margaret)
General
The Three Brothers; vol. 3/3
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
‘Few people, indeed, have their way so clear before them,’ he had said
repeatedly. ‘It is the finest thing in the world to have a girl or boy
with a decided turn. If you could but see the parents who come to me
with sons who don’t know what they would be at; and the idiots think
they may be made painters because they care for nothing in earth or
heaven. But here is this child with a talent. Of course, if it were a
talent for our own art, we might know better how to manage it; but such
as it is, it is a gift. Never undervalue a gift, my dear madam.
Providence itself points out the way for you. You have only got to train
her for her work.’
‘But, Mr. Welby,’ pleaded the padrona, ‘she is such a child. How could I
send my little maid out into the world to appear in public! I could not
do it! It would drive me out of my senses. My child! You forget what
kind of a creature she is.’
‘I don’t in the least forget,’ said the R.A. ‘She is very pretty, too,
which is a pity; but you should be above foolish notions in that
respect,--you who are so well known to the public yourself.’
‘Not so very well known,’ said the padrona, with a half smile; ‘and then
it is only my name, not me. And even if it were my very self, why it
would only be me still, not her. I am old, and what does it matter? But
my lily, my darling! Mr. Welby, you are very kind, but you do not take
the circumstances into consideration;--you do not realise to the full
extent what the consequences would be.’
‘I don’t know what you mean by the full extent,’ said Mr. Welby; ‘but
this I see as clear as daylight, that some time or other the child will
probably have her bread to earn. I say probably. She may marry, of
course, but the papers tell us people have given up marrying now-a-days.
You can’t live for ever, ma’am; and still more certainly you can’t work
for ever. And the child has actually something in her fingers by which
she could earn money, and provide for herself with the greatest ease.
Besides, a musician is not like a singer, or a dancer, or anything of
that sort. She comes on and sits down before her piano, and never pays
any attention to her audience. She need not even look at them unless she
likes. She has only a little curtsey to make, and so is off again. It is
positively nothing. She may marry, of course, but that would be no
protection against poverty. And what’s the alternative? A lingering,
idle sort of life at home; saving scraps, and making her own gowns and
bonnets; or, perhaps, giving music-lessons to tiresome children whom she
would hate. You should not, my dear Mrs. Severn, do such injustice to
your child.’
Public-domain text, read in full here on John Shaqi.
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