The Three Brothers; vol. 3/3Oliphant, Mrs. (Margaret)
General
The Three Brothers; vol. 3/3
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
‘Nonsense! It has been some little tiff between them,’ said the more
genial woman. And even Nelly got by degrees to believe that it was not
yet finally over. But when the whole truth was whispered at
Richmont,--as it soon was by one of the officers who had learned the
fact, no one knew how,--the family in general became frantic. Nelly kept
her temper outwardly at least, and held her tongue, having some regard
for her own dignity; but the father and mother were wild with rage.
People whom they had patronised so liberally!--a woman to whom they had
just given such a commission! When this thought occurred to them, they
exchanged glances. Next day, without saying a word to any one, Mr. and
Mrs. Rich went up to town. They bore no external signs of passion to the
ordinary eye, but in their hearts they were breathing fire and flame
against every Renton, every Severn, every creature even distantly
connected with either. There was very little conversation between the
two indignant parents as they made their way solemnly to Fitzroy Square.
A certain judicial silence, and stern restraint of all the lighter
manifestations of feeling, alone marked the importance of their mission.
They were shown up to Mrs. Severn’s studio by their own request,--having
peremptorily refused any such half-way ground as the drawing-room, as
if they had come to treat with their equals. The workshop of the woman
who was, as it were, in their employment, working to their order, was
the more appropriate place.
They found the padrona standing at her work with looks very different
from her usual aspect. Something spiritless and worn was in the very
attitude of her arm, in the fall of her gown, and dressing of her hair.
It was not that she was less neat, less carefully dressed, less busy.
But the woman was in such unity with herself, that her unusual
despondency communicated itself to every detail about her. She had no
heart for Cinderella,--the little loving figure triumphing in its new
life,--the sour, elder women standing by who were grudging,--what were
they grudging? The child’s happiness, or her triumph, or the loss of
her? She had not even heart enough to rouse her to the heights of
artist-passion, and to work in her own heart into the picture, as
doubtless she would yet do, some time when all was over. She stood with
her sketches hung round the walls, and the whole room full of this
commission of her rich patron,--the commission which made her living
quite secure and above the reach of chance, and her mind easy for the
year,--but listless, spiritless, mechanical, her heart gone out of her
life.
Public-domain text, read in full here on John Shaqi.
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