The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
XIV. Immediately beyond the transept a good general view occurs of the
_retro-choir_ and Lady-chapel. The aisles extend to the end of the
retro-choir, which is three bays in depth. The Lady-chapel forms an
additional eastern bay. All this part of the cathedral is of the same
general design as the choir; but, as a result of the lower level, the
main arches are loftier than those of the choir, and a much finer effect
is consequently produced. Together with the eastern transepts, this part
of the church was, as has been already shewn, constructed before the
western end of the choir; and besides the difference of mouldings, it is
distinguished by the rich wall-arcade which runs round below the
windows. Bishop GIFFARD (1268-1302) is said to have ornamented the
columns “of the east part of the church” with brass rings, (which still
remain, occupying the usual place of stone bands in Early English
shafts,) but the main work was probably completed long before his
accession. The brass rings occur on the intermediate piers throughout
choir, presbytery, and Lady-chapel. Similar rings occur in Westminster
Abbey, (in that portion of the nave which contains the choir stalls,)
where they are probably of the same date as those at Worcester.
Professor Willis has shewn that the shafts in this cathedral were
originally fixed to the piers by iron cramps, such as may still be seen
in the church at Pershore; and that the brass rings were additions for
covering the joint[84].
The dog-tooth moulding does not occur in the arches of the retro-choir,
and there are some slight differences between the foliage of the
capitals in this part of the cathedral and of those in the choir. The
restoration has included this part of the church, and the sculptures in
the spandrils of the triforium (which were little more than shapeless
masses of stone) have been restored by Boulton, under the direction of
the architect.
The windows in the aisles are triple lancets, at the back of inner
arches, supported by slender shafts of Purbeck marble. The dilapidated
Perpendicular tracery with which the lights were filled has been
removed, leaving the windows in their original state. Under the windows
runs a wall-arcade resembling that already described in the transept,
with trefoiled arches, and sculptures in the spandrils. Many of these
have been restored, but all deserve careful notice. The subjects
are--masses of foliage; knights fighting with monsters; mystic animals,
such as the basilisk and cockatrice, and others described in early
bestiaries. In the north aisle is a bishop offering a church, and in the
south the Crucifixion. Nothing like a definite arrangement can be traced
throughout the series. The vaulting of both aisles is quadripartite,
with small bosses.
The east window of the north aisle has been filled with very good
stained glass by HARDMAN, in memory of the late Hon. and Rev. Canon
COCKS. That in the south aisle is a memorial of the Rev. ALLEN WHEELER,
B.D.
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