The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops — John Shaqi
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
VII. The _south aisle_ of the nave was changed to its present state in
1318, during the abbacy of JOHN THOKEY, (1306-1329). The Norman south
wall remains in the interior, together with the half piers, which
resemble those in the north aisle. Abbot Thokey erected the present
external façade against this Norman wall[8], and re-groined the roof.
The exterior of this aisle (see § XX.) is a very fine example of early
Decorated[9]. The deeply recessed windows are enriched with the
ball-flower, and resemble one of the windows in Merton Chapel, Oxford,
from which chapel (founded about 1280), or from that of Gloucester
College, founded for student monks of this monastery in 1283, the
windows here may have been directly copied. The ball-flower occurs again
in profusion at Ledbury, in Herefordshire; but it is rarely used to
such an extent as in this aisle, and in the tower of Hereford Cathedral,
which is nearly of the same date. At Gloucester a horizontal line drawn
across the head of the window, just above the spring of the arch, cuts
no fewer than thirty-two ranks of the ball-flower, sixteen within and
sixteen without. All the windows of this aisle, as far as the south
porch, have been filled with stained glass. The _first_ (beginning from
the east) is by WARRINGTON; the _second_, by CLAYTON and BELL, contains
the story of Edward II.;--his imprisonment in Berkeley Castle; his
murder; the Abbot of Gloucester taking possession of the body; the
procession of monks with the body to Gloucester; and the entombment.
This window is good and interesting. The glass of the _third_ window is
by BELL of Bristol, and is very bad. The _fourth_, by CLAYTON and BELL,
represents the coronation of Henry III. in Gloucester Cathedral. The
_fifth_, by WARRINGTON, and the _sixth_, by BELL of Bristol, are equally
bad. The representations in the stained glass of the cathedral of the
great historical events which have been connected with it is an
excellent idea, provided such historical glass is not allowed to intrude
itself unfittingly. The great defect of the glass in Gloucester
Cathedral is its want of plan and uniformity,--owing to the various
artists (some very indifferent) who have been employed.
In altering the south aisle, Abbot Thokey cut off the arches over the
Norman windows, (those opposite should be compared,) and lowered the
vaulting. This, in the first four bays from the south porch, greatly
resembles that of the nave, which is of much earlier date. The vaulting
of the three last bays has its mouldings filled with the ball-flower.
The two western bays of this aisle are Abbot Morwent’s work, and differ
very slightly from those opposite. Against the west wall is a coloured
bust of JOHN JONES, “Burgess of Parliament” at the time of the Gunpowder
treason. In the aisle is a monument by SIEVIER for SIR GEORGE
ONESEPHORUS PAUL, (died 1820,) who distinguished himself by his active
exertions in reforming prisons.
Public-domain text, read in full here on John Shaqi.
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