The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
The last bay of the Lady-chapel has an open passage below it, which was
rendered necessary at the time of the building of the chapel, from the
fact that the boundary wall of the monastery passed north and south in a
line with the extreme eastern buttresses. (The marks of this wall may
still be seen on the buttresses.) The archway is picturesque in itself.
A very striking view of the north-east portion of the cathedral opens
beyond it; full of varied and intricate outlines formed by the
projecting chapels and the walls of the cloister and chapter-house, and
crowned by the great mass of the central tower with its deep shadows and
its fretwork of grey stone.
The _tower_ (see § III.) was (as appears from the inscription within, §
X.) the work of Abbot SEABROKE, (1450-1457,) and was, said one of the
monks to Leland (_temp._ Hen. VIII.), “a pharos to all parts of the
hills.” The singular beauty of its pinnacles of open-work has already
been noticed.
A passage called the Abbot’s Cloister separates the chapter-house from
the north transept. The cloister itself, however, extended beyond this
passage eastward. The inner walls alone remain. The eastern wall has
entirely disappeared; and beyond it are some transitional Norman arches,
which belonged to the infirmary of the monastery.
NOTE, (p. 33).
Since the foregoing pages were in type, Mr. Winston has arrived at some
very important and interesting conclusions relating to the east window
of the choir. The general design of the figure-work is the Enthronement
of the Blessed Virgin. The original arms in the window were those of
warriors who served in the Cressy campaign, and who were connected with
the county of Gloucester by their landed possessions; and there is
ground for a surmise that the donor of the glass was Lord Bradeston,
Governor of Gloucester Castle. The conception of the work may be
attributed to 1347 or 1348, and it was completed not later than 1350.
The saving of this noble relic from the destructive effects of a
‘restoration’ is due to the energetic remonstrances of the Archæological
Institute; in the Journal of which Society the results of Mr. Winston’s
investigations, briefly stated above, will soon, it is to be hoped,
appear. They will be eagerly welcomed by all who are interested in the
subject.
GLOUCESTER CATHEDRAL.
PART II.
History of the See, with Short Notices of the principal Bishops.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account