The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
The extent and nature of the different restorations will be pointed out
as we proceed. It is no doubt to be regretted that so much rebuilding
should have been necessary; but this has been partly owing to original
defects of construction, and partly to the nature of the stone, which
was taken, apparently without much care in selection, from quarries in
the old red sandstone, near the city. This stone is so much weather-worn
in parts as to resemble the face of a sea cliff. Throughout Wyatt’s
rebuilding and all the restorations, the new stone has been brought from
the Caplar quarries near Fawley; from Lugwardine; and from some quarries
nearer Hereford; also in the old red sandstone, but yielding blocks of a
much harder and more durable character.
II. The Saxon Bishop ETHELSTAN (1012-1056) built a church from the
foundations; which shortly after the accession of his successor,
LEOFGAR, (1056,) was burnt together with the greater part of the city,
by the Welsh king Gryffyth. The first Norman bishop, ROBERT DE LOSINGA,
(1079-1096,) who found his cathedral in ruins, began to rebuild it,
taking for his model the church of Aachen, or Aix la Chapelle,--the work
of Charlemagne[30]. This building was so far completed as to be
dedicated (in the names of the Blessed Virgin and of Ethelbert King of
East Anglia, see § X. and Pt. II.) in 1110, during the episcopate of
REINHELM, (1107-1115). The Norman portions of the existing cathedral
(the piers of the nave, the choir as high as the clerestory, and the
south transept,) belong to Bishop Robert’s cathedral. With the exception
of its first foundation, however, and of the walls of the nave-aisles,
“it is much to be regretted that the period of erection of no one part
of this cathedral has been recorded[31];” and we are left to assign the
various dates from the character of the architecture alone. They are
probably as follows:--
_Norman_, 1079-1115. Piers of nave, choir as high as clerestory,
and south transept, (which has had Perpendicular alterations).
_Early English_, _circ._ 1190. Vestibule of Lady-chapel.
_Early English_, _circ._ 1220. Lady-chapel.
_Early English_, _circ._ 1260? Clerestory and vaulting of choir.
_Transitional_, from Early English to Decorated, 1282-1287. North
transept.
_Geometrical_, (Early Decorated,) 1287-1320. Eastern transept.
Upper part of central tower.
_Late Decorated_, 1360-1364. Outer walls and windows of
nave-aisles.
_Perpendicular_, 1492-1502. Bishop Audley’s chantry. 1516-1535. The
north porch.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account