The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
see § XX. The cathedral is generally entered by the _south porch_, a
part of the Perpendicular work erected by Abbot MORWENT, (1420-1437).
(This abbot pulled down the towers at the west end of the cathedral, and
the two west bays of the nave. The present western portion of the nave,
as far as the end of the second bay, including the west front and the
south porch, is his work.) The porch, which has an upper chamber, is
greatly enriched with niches and canopies, and has buttresses at the
angles. [_Frontispiece._] The arms in the spandrils of the doorway are
those of England and France, and of the Abbey. The pinnacles and open
parapet are of the same general character as those (earlier) above the
gable of the great east window, and as those (later) of the central
tower. The ogee arched moulding, with its finial, which rises in the
centre is the feature already noticed (§ III.) as characteristic of this
cathedral. It occurs throughout the Perpendicular work. Within the
porch, the peculiar tracery of the side windows should be noticed. “The
internal arrangement of the panelling of the side walls is continued to
the exterior, and made to form the mullions of the windows.”
V. The first impression, on entering the _nave_, is produced by the
lofty Norman piers. [Plate I.] The whole arrangement differs much from
that of the great Norman naves of the Eastern cathedrals, Norwich, Ely,
and Peterborough. In them the divisions of the nave-arcade and of the
triforium above it are very nearly equal in height and width, whilst the
clerestory range is of little less importance[5]. At Gloucester, the
massive nave piers are carried to such a height (30 feet) as to afford
little space for the triforium, which is only a narrow wall passage; and
the original Norman clerestory, the circular arches of which may still
be traced below the Perpendicular windows, was of nearly the same
dimensions. The height of the piers is thus made to seem greater than it
really is. They must have been still more remarkable when the floor of
the nave was at its original level, ten inches lower than at present.
The bases of the piers stood on square blocks; and there still exist
some remains of an encaustic floor on the lower level. These massive
circular piers, which are found also at Tewkesbury, at Pershore, and at
Malvern Priory, seem to be peculiar to England. They do not, at any
rate, occur in any church in Normandy, where the rectangular form
prevails. The good effect of carrying them to such a height as at
Gloucester is perhaps questionable, since the necessary result is to
deprive both triforium and clerestory of all dignity and importance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account