The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
The clerestory is formed by three triangular-headed arches, of which the
centre arch, much higher and wider than the other two, follows nearly
the lines of the groining rib. The window at the back of the passage is
filled with tracery of Decorated character. The triangular form, which
is by no means usual, is that which prevails in the north transept of
Hereford, (see the Handbook for that Cathedral,) built at the end of the
thirteenth century for the reception of the shrine of St. Thomas
Cantilupe.
The groined vaulting of the nave--the work of Bishop Wakefield in
1377--has ridge and intermediate ribs, with bosses of foliage at the
intersections. The nave, which was covered with whitewash by the
“restorers” of the last century, has been thoroughly cleaned; and the
rich foliage of its capitals is now properly displayed. The present
flooring of the nave was laid down in 1748.
On the north side of the nave, in the fourth bay from the east, is the
high tomb, with effigies, of SIR JOHN BEAUCHAMP, of Holt, in
Worcestershire, (died 1388,) and his wife. The effigies, which are in
alabaster, have been terribly defaced. The knight’s armour is a good
example. The lady’s head rests on a swan with expanded wings--the crest
of the Beauchamps. The panels of the tomb itself are filled with shields
of arms. Immediately opposite, on the south side of the nave, is the
tomb, with effigies, of ROBERT WILDE (died 1608) and his wife. His body
rests in this cathedral, but his immortal part--
“Fœlices rapuere animæ, heroesque beati,
Illud ad æternas, Elysiasque domos.”
The sides of the tomb, divided into compartments by sun-flowers rising
from vases, and the scroll-work at the lower end, deserve notice.
On the south side of the nave, toward the west, is the canopied tomb,
with effigy, of RICHARD EEDES, Dean of Worcester, (died 1608). The Dean
is represented with moustache and beard, skull-cap, ruff, and gown open
in front, with hanging sleeves. Opposite, on the north side, is the
tomb, with effigy, of Bishop THORNBOROUGH, died 1641,--the latest
recumbent effigy of a bishop in the cathedral: he wears the rochet and
chimere with full sleeves.
V. The two western bays of the _south aisle_ of the nave are _transition
Norman_, like the western bays of the nave. The vaulting is
quadripartite. The rest of the aisle has late Decorated windows, filled
with a kind of flowing tracery, high in the wall, on account of the
cloister which runs outside; and into which there are two plainly-arched
entrances--the prior’s door in the bay nearest the transept, and the
monks’ door in the third bay from the west end. The vaulting of this
part of the aisle is lierne.
Public-domain text, read in full here on John Shaqi.
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