The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
The restoration of the choir, under Mr. Perkins, was begun in 1859. Much
of the stone-work was in so ruinous a condition that it was necessary to
replace it with new; but although the building has thus lost something
of its interest in the eyes of archæologists, it should here be said
that the repairs have been made with good judgment, and that no
unnecessary destruction of ancient work has taken place. Wherever it was
possible the old stone-work has been carefully cleaned, and is otherwise
untouched. This is the case with nearly all the leafage of the capitals,
which is unusually good and varied. The greater part of the figures in
the tympana of the triforium arches, however, were unfortunately
sculptured in the local stone, and had crumbled away so completely,
partly from the effects of time and partly perhaps before the matchlocks
of Cromwell’s troopers, that their subjects were hardly to be
deciphered. They have been restored, in accordance, as far as could be
ascertained, with the original design, by Boulton of Worcester, under
the direction of Mr. Perkins.
VIII. Evidences remain in the choir of earlier alterations and
additions. The piers adjoining the north-east transept had been thrown
greatly out of the perpendicular by the thrust of the arches. These
piers have now been reconstructed with the old materials in a sound
manner; and a wall pierced with quatrefoils, which had been built for
their support, between the two easternmost piers on the north side, has
been removed. The second pier from the organ, on the same side, also
appears to have shewn signs of weakness, and has been re-cased and
enlarged in Jacobean Gothic, with a curious base of masonry in the shape
of a tulip.
The _stone pulpit_, on the north side of the choir, was removed from the
west end of the nave about the middle of last century. It is late
Perpendicular work, with the emblems of the Evangelists placed on
truncated shafts in the panels. The sculpture at the back of the pulpit
apparently represents the Heavenly Jerusalem, with the Tree of Life in
the centre. The ancient stalls were partly destroyed by the Puritan
soldiery, the seats alone remaining. The present canopies date from the
reign of Charles II., but are of no great interest.
It is proposed to replace the present (modern) reredos by one of better
design and character; and to erect a low stone screen, allowing a view
into the transept beyond it, between the piers on the north side of the
altar.
In December, 1861, a leaden coffin, moulded to the shape of a body,
which had been enclosed in an outer coffin of wood, was discovered
beneath the flooring at the east end of the choir. It no doubt contained
the embalmed body of WILLIAM, fourth MARQUIS and second DUKE OF
HAMILTON, who was mortally wounded at the battle of Worcester in 1651,
and was interred here,--since his body was not allowed to be conveyed to
Scotland.
Public-domain text, read in full here on John Shaqi.
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