The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
The high tomb on which the King’s effigy rests is a work of the
sixteenth century, and was probably constructed when Prince Arthur’s
chantry was erected[78]. “The sides of the tomb are divided into three
square compartments by panelled buttresses; each compartment contains a
shield, bearing the royal arms, within a quatrefoil richly cusped; the
spandrels are also foliated and cusped. Though of no unusual design it
has a rich effect, and the base mouldings are numerous[79].” On this
tomb rests the effigy of King John, the earliest effigy of an English
monarch remaining in this country. It was no doubt originally the cover
of the stone coffin in which the King’s remains were discovered in 1797.
The effigy was evidently sculptured soon after the interment of the
King; and represents him in the regal habiliments. “First, the tunic,
yellow, or of cloth of gold, reaching nearly to the ancles, with
close-fitting sleeves, little of which is apparent. Over the tunic is
worn the dalmatic, or outer robe, of a crimson colour, with wide
sleeves, edged with a gold and jewelled border: this is girt about the
waist by a girdle, and buckled in front; the pendent end of the girdle,
which is jewelled, falling down to the skirt of the dalmatic. At the
back is worn the mantle; but little of this is visible. On the feet are
sandals, to the heels of which are affixed spurs. On the hands are
gloves, jewelled at the back; the right hand has held a sceptre, the
lower portion of which only is left; the left hand grasps the hilt of
the sword. On the head is worn the crown; the face has both the
moustache and beard, and the hair is long. On either side of the head is
the figure of a bishop holding a thurible or censer, perhaps intended to
represent St. Oswald and St. Wulfstan. Roger de Hoveden, in his Annals,
treating of the coronation of Richard I., enumerates the regal
vestments, and how worn, and his description may be applied to this
effigy. In the crown, in the mitres of the bishops, and on different
portions of the robes appear cavities for stones, paste, or glass,
imitative of jewels. The feet of the effigy rest against a lion, in
whose jaws the point of the sword is inserted[80].”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account