The Three Cities Trilogy: Lourdes, CompleteZola, Émile
General
The Three Cities Trilogy: Lourdes, Complete
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Seated in the corner, near the Sister, was Madame de Jonquiere, who had
kept her little bag on her lap. She slowly pulled down the blind. Dark,
and well built, she was still nice-looking, although she had a daughter,
Raymonde, who was four-and-twenty, and whom for motives of propriety she
had placed in the charge of two lady-hospitallers, Madame Desagneaux and
Madame Volmar, in a first-class carriage. For her part, directress as she
was of a ward of the Hospital of Our Lady of Dolours at Lourdes, she did
not quit her patients; and outside, swinging against the door of her
compartment, was the regulation placard bearing under her own name those
of the two Sisters of the Assumption who accompanied her. The widow of a
ruined man, she lived with her daughter on the scanty income of four or
five thousand francs a year, at the rear of a courtyard in the Rue
Vanneau. But her charity was inexhaustible, and she gave all her time to
the work of the Hospitality of Our Lady of Salvation, an institution
whose red cross she wore on her gown of carmelite poplin, and whose aims
she furthered with the most active zeal. Of a somewhat proud disposition,
fond of being flattered and loved, she took great delight in this annual
journey, from which both her heart and her passion derived contentment.
“You are right, Sister,” she said, “we will organise matters. I really
don’t know why I am encumbering myself with this bag.”
And thereupon she placed it under the seat, near her.
“Wait a moment,” resumed Sister Hyacinthe; “you have the water-can
between your legs--it is in your way.”
“No, no, it isn’t, I assure you. Let it be. It must always be somewhere.”
Then they both set their house in order as they expressed it, so that for
a day and a night they might live with their patients as comfortably as
possible. The worry was that they had not been able to take Marie into
their compartment, as she wished to have Pierre and her father near her;
however neighbourly intercourse was easy enough over the low partition.
Moreover the whole carriage, with its five compartments of ten seats
each, formed but one moving chamber, a common room as it were which the
eye took in at a glance from end to end. Between its wooden walls, bare
and yellow, under its white-painted panelled roof, it showed like a
hospital ward, with all the disorder and promiscuous jumbling together of
an improvised ambulance. Basins, brooms, and sponges lay about,
half-hidden by the seats. Then, as the train only carried such luggage as
the pilgrims could take with them, there were valises, deal boxes, bonnet
boxes, and bags, a wretched pile of poor worn-out things mended with bits
of string, heaped up a little bit everywhere; and overhead the litter
began again, what with articles of clothing, parcels, and baskets hanging
from brass pegs and swinging to and fro without a pause.
Public-domain text, read in full here on John Shaqi.
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