The Three Cities Trilogy: Lourdes, Volume 1Zola, Émile
Religion
The Three Cities Trilogy: Lourdes, Volume 1
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Her hair, of a pure golden hue, was so long that when it was
let down it sufficed to clothe her. Well did he remember her face as it
had been, with round cheeks, blue eyes, red mouth, and skin of
dazzling, snowy whiteness. She was indeed as gay and brilliant as the
sun itself, a transplendency. Yet there were tears at the corners of
her eyes, for she was aware of his coming departure. They sat down
together at the far end of the garden, in the shadow cast by the hedge.
Their hands mingled, and their hearts were very heavy. They had,
however, never exchanged any vows amid their pastimes, for their
innocence was absolute. But now, on the eve of separation, their mutual
tenderness rose to their lips, and they spoke without knowing, swore
that they would ever think of one another, and find one another again,
some day, even as one meets in heaven to be very, very happy. Then,
without understanding how it happened, they clasped each other tightly,
to the point of suffocation, and kissed each other’s face, weeping, the
while, hot tears. And it was that delightful memory which Pierre had
ever carried with him, which he felt alive within him still, after so
many years, and after so many painful renunciations.
Just then a more violent shock roused him from his reverie. He turned
his eyes upon the carriage and vaguely espied the suffering beings it
contained—Madame Maze motionless, overwhelmed with grief; little Rose
gently moaning in her mother’s lap; La Grivotte, whom a hoarse cough
was choking. For a moment Sister Hyacinthe’s gay face shone out amidst
the whiteness of her coif and wimple, dominating all the others. The
painful journey was continuing, with a ray of divine hope still and
ever shining yonder. Then everything slowly vanished from Pierre’s eyes
as a fresh wave of memory brought the past back from afar; and nothing
of the present remained save the lulling hymn, the indistinct voices of
dreamland, emerging from the invisible.
Public-domain text, read in full here on John Shaqi.
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