The Three Cities Trilogy: Lourdes, Volume 3Zola, Émile
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The Three Cities Trilogy: Lourdes, Volume 3
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Amidst the continual pushing which accompanied the eddying of the
ever-moving crowd, Gerard's little party became separated. He and
Raymonde remained behind the others. They had begun talking together in
low tones, with an air of smiling intimacy, lost and isolated as they
were in the dense crowd. And Madame Desagneaux at last had to stop, look
back, and call to them: "Come on, or we shall lose one another!"
As they drew near, Pierre heard the girl exclaim: "Mamma is so very busy;
speak to her before we leave." And Gerard thereupon replied: "It is
understood. You have made me very happy, mademoiselle."
Thus the husband had been secured, the marriage decided upon, during this
charming promenade among the sights of Lourdes. Raymonde had completed
her conquest, and Gerard had at last taken a resolution, realising how
gay and sensible she was, as she walked beside him leaning on his arm.
M. de Guersaint, however, had raised his eyes, and was heard inquiring:
"Are not those people up there, on that balcony, the rich folk who made
the journey in the same train as ourselves?--You know whom I mean, that
lady who is so very ill, and whose husband and sister accompany her?"
He was alluding to the Dieulafays; and they indeed were the persons whom
he now saw on the balcony of a suite of rooms which they had rented in a
new house overlooking the lawns of the Rosary. They here occupied a
first-floor, furnished with all the luxury that Lourdes could provide,
carpets, hangings, mirrors, and many other things, without mentioning a
staff of servants despatched beforehand from Paris. As the weather was so
fine that afternoon, the large armchair on which lay the poor ailing
woman had been rolled on to the balcony. You could see her there, clad in
a lace /peignoir/. Her husband, always correctly attired in a black
frock-coat, stood beside her on her right hand, whilst her sister, in a
delightful pale mauve gown, sat on her left smiling and leaning over
every now and then so as to speak to her, but apparently receiving no
reply.
"Oh!" declared little Madame Desagneaux, "I have often heard people speak
of Madame Jousseur, that lady in mauve. She is the wife of a diplomatist
who neglects her, it seems, in spite of her great beauty; and last year
there was a deal of talk about her fancy for a young colonel who is well
known in Parisian society. It is said, however, in Catholic /salons/ that
her religious principles enabled her to conquer it."
They all five remained there, looking up at the balcony. "To think,"
resumed Madame Desagneaux, "that her sister, poor woman, was once her
living portrait." And, indeed, there was an expression of greater
kindliness and more gentle gaiety on Madame Dieulafay's face. And now you
see her--no different from a dead woman except that she is above instead
of under ground--with her flesh wasted away, reduced to a livid, boneless
thing which they scarcely dare to move. Ah! the unhappy woman!
Public-domain text, read in full here on John Shaqi.
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