The Three Cities Trilogy: Lourdes, Volume 3Zola, Émile
General
The Three Cities Trilogy: Lourdes, Volume 3
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
A low exclamation from her father interrupted her. M. de Guersaint had
risen to his feet again on seeing some specks of light shine out above
the gradient ways on the left side of the Basilica. "At last! Here they
come!" said he.
It was indeed the head of the procession again appearing; and at once the
specks of light began to swarm and extend in long, wavering double files.
The darkness submerged everything except these luminous points, which
seemed to be at a great elevation, and to emerge, as it were, from the
black depths of the Unknown. And at the same time the everlasting
canticle was again heard, but so lightly, for the procession was far
away, that it seemed as yet merely like the rustle of a coming storm,
stirring the leaves of the trees.
"Ah! I said so," muttered M. de Guersaint; "one ought to be at the
Calvary to see everything." With the obstinacy of a child he kept on
returning to his first idea, again and again complaining that they had
chosen "the worst possible place."
"But why don't you go up to the Calvary, papa?" at last said Marie.
"There is still time. Pierre will stay here with me." And with a mournful
laugh she added: "Go; you know very well that nobody will run away with
me."
He at first refused to act upon the suggestion, but, unable to resist his
desire, he all at once fell in with it. And he had to hasten his steps,
crossing the lawns at a run. "Don't move," he called; "wait for me under
the trees. I will tell you of all that I may see up there."
Then Pierre and Marie remained alone in that dim, solitary nook, whence
came such a perfume of roses, albeit no roses could be found. And they
did not speak, but in silence watched the procession, which was now
coming down from the hill with a gentle, continuous, gliding motion.
A double file of quivering stars leapt into view on the left-hand side of
the Basilica, and then followed the monumental, gradient way, whose curve
is gradually described. At that distance you were still unable to see the
pilgrims themselves, and you beheld simply those well-disciplined
travelling lights tracing geometrical lines amidst the darkness. Under
the deep blue heavens, even the buildings at first remained vague,
forming but blacker patches against the sky. Little by little, however,
as the number of candles increased, the principal architectural
lines--the tapering spire of the Basilica, the cyclopean arches of the
gradient ways, the heavy, squat facade of the Rosary--became more
distinctly visible. And with that ceaseless torrent of bright sparks,
flowing slowly downward with the stubborn persistence of a stream which
has overflowed its banks and can be stopped by nothing, there came as it
were an aurora, a growing, invading mass of light, which would at last
spread its glory over the whole horizon.
"Look, look, Pierre!" cried Marie, in an access of childish joy. "There
is no end of them; fresh ones are ever shining out."
Public-domain text, read in full here on John Shaqi.
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