The Three Cities Trilogy: Lourdes, Volume 5 — John Shaqi
The Three Cities Trilogy: Lourdes, Volume 5Zola, Émile
General
The Three Cities Trilogy: Lourdes, Volume 5
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Pierre, who was very much struck by the remark, was pondering on its
involuntary profundity, when M. de Guersaint reappeared, bringing Marie
with him. He had found her kneeling on the same spot, in the same act of
faith and thankfulness, at the feet of the Blessed Virgin; and it seemed
as if she had brought all the brilliant light of the Grotto away in her
eyes, so vividly did they sparkle with divine joy at her cure. She would
not entertain a proposal to keep the trap. No, no! she preferred to go on
foot; she did not care about seeing the town, so long as she might for
another hour continue walking on her father's arm through the gardens,
the streets, the squares, anywhere they pleased! And, when Pierre had
paid the driver, it was she who turned into a path of the Esplanade
garden, delighted at being able to saunter in this wise beside the turf
and the flower beds, under the great trees. The grass, the leaves, the
shady solitary walks where you heard the everlasting rippling of the
Gave, were so sweet and fresh! But afterwards she wished to return by way
of the streets, among the crowd, that she might find the agitation,
noise, and life, the need of which possessed her whole being.
In the Rue St. Joseph, on perceiving the panorama, where the former
Grotto was depicted, with Bernadette kneeling down before it on the day
of the miracle of the candle, the idea occurred to Pierre to go in. Marie
became as happy as a child; and even M. de Guersaint was full of innocent
delight, especially when he noticed that among the batch of pilgrims who
dived at the same time as themselves into the depths of the obscure
corridor, several recognised in his daughter the girl so miraculously
healed the day before, who was already famous, and whose name flew from
mouth to mouth. Up above, on the circular platform, when they came out
into the diffuse light, filtering through a vellum, there was a sort of
ovation around Marie; soft whispers, beatifical glances, a rapture of
delight in seeing, following, and touching her. Now glory had come, she
would be loved in that way wherever she went, and it was not until the
showman who gave the explanations had placed himself at the head of the
little party of visitors, and begun to walk round, relating the incident
depicted on the huge circular canvas, nearly five hundred feet in length,
that she was in some measure forgotten. The painting represented the
seventeenth apparition of the Blessed Virgin to Bernadette, on the day
when, kneeling before the Grotto during her vision, she had heedlessly
left her hand on the flame of the candle without burning it. The whole of
the old primitive landscape of the Grotto was shown, the whole scene was
set out with all its historical personages: the doctor verifying the
miracle watch in hand, the Mayor, the Commissary of Police, and the
Public Prosecutor, whose names the showman gave out, amidst the amazement
of the public following him.
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