"And Chaigneux, do you know him?" continued Massot, referring to the deputy in question. "No? Well, look at him and ask yourself if it isn't quite as natural that he, too, should have taken money. He came from Arras. He was a solicitor there. When his division elected him he let politics intoxicate him, and sold his practice to make his fortune in Paris, where he installed himself with his wife and his three daughters. And you can picture his bewilderment amidst those four women, terrible women ever busy with finery, receiving and paying visits, and running after marriageable men who flee away. It's ill-luck with a vengeance, the daily defeat of a poor devil of mediocre attainments, who imagined that his position as a deputy would facilitate money-making, and who is drowning himself in it all. And so how can Chaigneux have done otherwise than take money, he who is always hard up for a five-hundred-franc note! I admit that originally he wasn't a dishonest man. But he's become one, that's all." Massot was now fairly launched, and went on with his portraits, the series which he had, at one moment, dreamt of writing under the title of "Deputies for Sale." There were the simpletons who fell into the furnace, the men whom ambition goaded to exasperation, the low minds that yielded to the temptation of an open drawer, the company-promoters who grew intoxicated and lost ground by dint of dealing with big figures. At the same time, however, Massot admitted that these men were relatively few in number, and that black sheep were to be found in every parliament of the world. Then Sagnier's name cropped up again, and Massot remarked that only Sagnier could regard the French Chambers as mere dens of thieves.